Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
She stopped short, turned toward the street with her back against the
door of the wine-shop, and waited. The light in the shop was behind her,
her shoulders against the bars, and there she stood motionless, her
skirt gathered up in one hand in front, and her other hand falling
listlessly at her side. She resembled a statue of darkness seated on a
milestone. In her attitude there was an air of stern determination and
the necessary patience to wait there forever. The passers-by, the
carriages, the street--she saw them all indistinctly and as if they were
far away. The tow-horse, waiting to assist in drawing the omnibuses up
the hill,--a white horse, he was,--stood in front of her, worn out and
motionless, sleeping on his feet, with his head and forefeet in the
bright light from the door: she did not see him. There was a dense fog.
It was one of those vile, detestable Parisian nights when it seems as if
the water that falls had become mud before falling. The gutter rose and
flowed about her feet. She remained thus half an hour without moving,
with her back to the light and her face in the shadow, a threatening,
desperate, forbidding creature, like a statue of Fatality erected by
Darkness at a wine-shop door!
At last Jupillon came out. She stood before him with folded arms.
"My money?" she said. Her face was that of a woman who has ceased to
possess a conscience, for whom there is no God, no police, no assizes,
no scaffold--nothing!
Jupillon felt that his customary _blague_ was arrested in his throat.
"Your money?" he repeated; "your money ain't lost. But I must have time.
Just now, you see, work ain't very plenty. That shop business of mine
came to grief a long while ago, you know. But in three months' time, I
promise. Are you pretty well?"
"_Canaille!_ Ah! I've got you now! Ah! you'd sneak away, would you? But
it was you, my curse! it was you who made me what I am, brigand! robber!
sneak! It was you."
Germinie hurled these words in his face, pushing against him, forcing
him back, pressing her body against his. She seemed to be rubbing
against the blows that she invited and provoked, and as she leaned
toward him thus, she cried: "Come, strike me! What, then, must I say to
you to make you strike me?"
Public-domain text, read in full here on John Shaqi.
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