Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
Keeping on her feet, with an apparent improvement due to the physician's
energetic treatment, Germinie continued to make mademoiselle's bed,
accepting her assistance to turn the mattresses. She also continued to
prepare her food, and that was an especially distasteful task to her.
When she was preparing mademoiselle's breakfast and dinner, she felt as
if she should die in her kitchen, one of the wretched little kitchens
common in great cities, which are the cause of so much pulmonary trouble
in women. The embers that she kindled, and from which a thread of
suffocating smoke slowly arose, began to stir her stomach to revolt;
soon the charcoal that she bought from the charcoal dealer next door,
strong Paris charcoal, full of half-charred wood, enveloped her in its
stifling odor. The dirty, smoking funnel, the low chimney-piece poured
back into her lungs the corroding heat of the waist-high oven. She
suffocated, she felt the fiery heat of all her blood surge upward to her
face and cause red blotches to appear on her forehead. Her head whirled.
In the half-asphyxiated condition of laundresses who pass back and forth
through the vapor of their charcoal stoves, she would rush to the window
and draw a few breaths of the icy outside air.
She had other motives for suffering on her feet, for keeping constantly
about her work despite her increasing weakness, than the repugnance of
country-people to take to their beds, or her fierce, jealous
determination that no one but herself should attend to mademoiselle's
needs: she had a constant terror of denunciation, which might accompany
the installation of a new servant. It was absolutely necessary that she
should be there, to keep watch on mademoiselle and prevent anyone from
coming near her. It was necessary, too, that she should show herself,
that the quarter should see her, and that she should not appear to her
creditors with the aspect of a dead woman. She must make a pretence of
being strong, she must assume a cheerful, lively demeanor, she must
impart confidence to the whole street with the doctor's studied words,
with a hopeful air, and with the promise not to die. She must appear at
her best in order to reassure her debtors and to prevent apprehensions
on the subject of money from ascending the stairs and applying to
mademoiselle.
She acted up to her part in this horrible, but necessary, comedy. She
was absolutely heroic in the way she made her whole body lie,--in
drawing up her enfeebled form to its full height as she passed the
shops, whose proprietors' eyes were upon her; in quickening her trailing
footsteps; in rubbing her cheeks with a rough towel before going out in
order to bring back the color of blood to them; in covering the pallor
of her disease and her death-mask with rouge.
Public-domain text, read in full here on John Shaqi.
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