Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
"Well!" she said to Germinie, "I hope you are well taken care of!"
"Oh! yes," Germinie answered in a peculiar tone, "they take excellent
care of me!"
She had lost the animation that she displayed at the beginning of the
visit. The little blood that had mounted to her cheeks remained there in
one spot only. Her face seemed closed; it was cold and deaf, like a
wall. Her drawn-in lips were sealed, as it were. Her features were
concealed beneath the veil of infinite dumb agony. There was nothing
caressing or eloquent in her staring eyes, absorbed as they were and
filled with one fixed thought. You would have said that all exterior
signs of her ideas were drawn within her by an irresistible power of
concentration, by a last supreme effort of her will, and that her whole
being was clinging in desperation to a sorrow that drew everything to
itself.
The visitors she had just received were the grocer, the fish-woman, the
butter woman and the laundress--all her debts, incarnate! The kisses
were the kisses of her creditors, who came to keep on the scent of their
claims and to extort money from her death-agony!
LXVI
Mademoiselle had just risen on Saturday morning. She was making a little
package of four jars of Bar preserves, which she intended to carry to
Germinie the next day, when she heard low voices, a colloquy between the
housekeeper and the concierge in the reception room. Almost immediately
the door opened and the concierge came in.
"Sad news, mademoiselle," he said.
And he handed her a letter he had in his hand; it bore the stamp of the
Lariboisiere hospital: Germinie was dead; she died at seven o'clock that
morning.
Mademoiselle took the letter; she saw only the letters that said: "Dead!
dead!" And they repeated the word: "Dead! dead!" to no purpose, for she
could not believe it. As is always the case with a person of whose death
one learns abruptly, Germinie appeared to her instinct with life, and
her body, which was no more, seemed to stand before her with the
awe-inspiring presence of a ghost. Dead! She should never see her more!
So there was no longer a Germinie on earth! Dead! She was dead! And the
person she should hear henceforth moving about in the kitchen would not
be she; somebody else would open the door for her, somebody else would
potter about her room in the morning! "Germinie!" she cried at last, in
the tone with which she was accustomed to call her; then, collecting her
thoughts: "Machine! creature! What's your name?" she cried, savagely, to
the bewildered housekeeper. "My dress--I must go there."
Public-domain text, read in full here on John Shaqi.
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