Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
In the distance an enclosure wall extended, perfectly straight, as far
as the eye could see. The thread of snow that marked the outline of its
coping gave it a dirty, rusty color. In a corner at the left three
leafless trees reared their bare black branches against the sky. They
rustled sadly, with the sound of pieces of dead wood stirred by the
south wind. Above these trees, behind the wall and close against it,
arose the two arms from which hung one of the last oil-lamps in Paris. A
few snow-covered roofs were scattered here and there; beyond, the hill
of Montmartre rose sharply, its white shroud broken by oases of brown
earth and sandy patches. Low gray walls followed the slope, surmounted
by gaunt, stunted trees whose branches had a bluish tint in the mist, as
far as two black windmills. The sky was of a leaden hue, with occasional
cold, bluish streaks as if ink had been applied with a brush! over
Montmartre there was a light streak, of a yellow color, like the Seine
water after heavy rains. Above that wintry beam the wings of an
invisible windmill turned and turned,--slow-moving wings, unvarying in
their movement, which seemed to be turning for eternity.
In front of the wall, against which was planted a thicket of dead
cypresses, turned red by the frost, was a vast tract of land upon which
were two rows of crowded, jostling overturned crosses, like two great
funeral processions. The crosses touched and pushed one another and trod
on one another's heels. They bent and fell and collapsed in the ranks.
In the middle there was a sort of congestion which had caused them to
bulge out on both sides; you could see them lying--covered by the snow
and raising it into mounds with the thick wood of which they were
made--upon the paths, somewhat trampled in the centre, that skirted the
two long files. The broken ranks undulated with the fluctuation of a
multitude, the disorder and wavering course of a long march. The black
crosses with their arms outstretched assumed the appearance of ghosts
and persons in distress. The two disorderly columns made one think of a
human panic, a desperate, frightened army. It was as if one were looking
on at a terrible rout.
All the crosses were laden with wreaths, wreaths of immortelles, wreaths
of white paper with silver thread, black wreaths with gold thread; but
you could see them beneath the snow, worn out, withered, ghastly things,
souvenirs, as it were, which the other dead would not accept and which
had been picked up in order to make a little toilet for the crosses with
gleanings from the graves.
All the crosses had a name written in white; but there were other names
that were not even written on a piece of wood,--a broken branch of a
tree, stuck in the ground, with an envelope tied around it--such
tombstones as that were to be seen there!
Public-domain text, read in full here on John Shaqi.
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