Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
She did the menial work, she kept the shop, she served the customers.
Madame Jupillon rested everything upon her shoulders; and while the
good-natured girl was working and perspiring, the bulky matron, assuming
the majestic, leisurely air of an annuitant, anchored upon a chair in
the middle of the sidewalk and inhaling the fresh air of the street,
fingered and rattled the precious coin in the capacious pocket beneath
her apron--the coin that rings so sweetly in the ears of the petty
tradesmen of Paris, that the retired shopkeeper is melancholy beyond
words at first, because he no longer has the chinking and the tinkling
under his hand.
XII
When the spring came, Germinie said to Jupillon almost every evening:
"Suppose we go as far as the beginning of the fields?"
Jupillon would put on his flannel shirt with red and black squares, and
his black velvet cap; and they would start for what the people of the
quarter call "the beginning of the fields."
They would go up the Chaussee Clignancourt, and, with the flood of
Parisians from the faubourg hurrying to drink a little fresh air, would
walk on toward the great patch of sky that rose straight from the
pavements, at the top of the ascent, between the two lines of houses,
unobstructed except by an occasional omnibus. The air was growing cooler
and the sun shone only upon the roofs of the houses and the chimneys. As
from a great door opening into the country, there came from the end of
the street and from the sky beyond, a breath of boundless space and
liberty.
At the Chateau-Rouge they found the first tree, the first foliage. Then,
at Rue du Chateau, the horizon opened before them in dazzling beauty.
The fields stretched away in the distance, glistening vaguely in the
powdery, golden haze of seven o'clock. All nature trembled in the
daylight dust that the day leaves in its wake, upon the verdure it blots
from sight and the houses it suffuses with pink.
Frequently they descended the footpath covered with the figures of the
game of hop-scotch marked out in charcoal, by long walls with an
occasional overhanging branch, by lines of detached houses with gardens
between. At their left rose tree-tops filled with light, clustering
foliage pierced by the beams of the setting sun, which cast lines of
fire across the bars of the iron gateways. After the gardens came
hedgerows, estates for sale, unfinished buildings erected upon the line
of projected streets and stretching out their jagged walls into empty
space, with heaps of broken bottles at their feet; large, low, plastered
houses, with windows filled with bird-cages and cloths, and with the Y
of the sink-pipes at every floor; and openings into enclosures that
resembled barnyards, studded with little mounds on which goats were
browsing.
They would stop here and there and smell the flowers, inhale the perfume
of a meagre lilac growing in a narrow lane. Germinie would pluck a leaf
in passing and nibble at it.
Public-domain text, read in full here on John Shaqi.
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