Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
Flocks of joyous swallows flew wildly about in circles and in fantastic
figures over her head. The birds called. The sky answered the cages. She
heard everything about her singing, and glanced with a glad eye at
the women in chemisettes at the windows, the men in their shirt sleeves
in the little gardens, the mothers on the doorsteps with their little
ones between their legs.
[Illustration: Chapter XII
_But at the fortifications her pleasure returned. She would go with
Jupillon and sit upon the slope of the embankment. Beside her were
families innumerable, workmen lying flat upon their faces, small
annuitants gazing at the horizon through spy-glasses, philosophers of
want, bent double, with their hands upon their knees, the greasy coats
characteristic of old men, and black hats worn as red as their red
beards._]
At the foot of the slope the pavement came to an end. The street was
succeeded by a broad, white, chalky, dusty road, made of debris, old
pieces of plaster, crumbs of lime and bricks; a sunken road, with deep
ruts, polished on the edges, made by the iron tires of the huge great
wheels of carts laden with hewn stone. At that point began the things
that collect where Paris ends, the things that grow where grass does not
grow, one of those arid landscapes that large cities create around them,
the first zone of suburbs _intra muros_ where nature is exhausted, the
soil used up, the fields sown with oyster shells. Beyond was a
wilderness of half-enclosed yards displaying numbers of carts and trucks
with their shafts in the air against the sky, stone-cutters' sheds,
factories built of boards, unfinished workmen's houses, full of gaps and
open to the light, and bearing the mason's flag, wastes of gray and
white sand, kitchen gardens marked out with cords, and, on the lower
level, bogs to which the embankment of the road slopes down in oceans of
small stones.
Soon they would reach the last lantern hanging on a green post. People
were still coming and going about them. The road was alive and amused
the eyes. They met women carrying their husband's canes, lorettes in
silk dresses leaning on the arms of their blouse-clad brothers, old
women in bright-colored ginghams walking about with folded arms,
enjoying a moment's rest from labor. Workmen were drawing their children
in little wagons, urchins returning with their rods from fishing at
Saint-Ouen, and men and women dragging branches of flowering acacia at
the ends of sticks.
Sometimes a pregnant woman would pass, holding out her arms to a yet
small child, and casting the shadow of her pregnancy upon the wall.
And everyone moved tranquilly, blissfully, at a pace that told of the
wish to delay, with the awkward ease and the happy indolence of those
who walk for pleasure. No one was in a hurry, and against the unbroken
horizon line, crossed from time to time by the white smoke of a railroad
train, the groups of promenaders were like black spots, almost
motionless, in the distance.
Public-domain text, read in full here on John Shaqi.
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