Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
Behind Montmartre, they came to those great moats, as it were, those
sloping squares, where narrow, gray, much-trodden paths cross and
recross. A few blades of shriveled, yellow grass grew thereabout,
softened by the rays of the setting sun, which they could see, all
ablaze, between the houses. And Germinie loved to watch the wool-combers
at work there, the quarry horses at pasture in the bare fields, the
madder-red trousers of the soldiers who were playing at bowls, the
children flying kites that made black spots in the clear air. Passing
all these, they turned to cross the bridge over the railroad by the
wretched settlement of ragpickers, the stonemasons' quarter at the foot
of Clignancourt hill. They would walk quickly by those houses built of
materials stolen from demolished buildings, and exuding the horrors they
conceal; the wretched structures, half cabin, half burrow, caused
Germinie a vague feeling of terror: it seemed to her as if all the
crimes of Night were lurking there.
But at the fortifications her pleasure returned. She would go with
Jupillon and sit upon the slope of the embankment. Beside her were
families innumerable, workmen lying flat upon their faces, small
annuitants gazing at the horizon through spy-glasses, philosophers of
want, bent double, with their hands upon their knees, the greasy coats
characteristic of old men, and black hats worn as red as their red
beards. The air was full of rich harmonies. Below her, in the moat, a
musical society was playing at each corner. Before her eyes was a
multi-colored crowd, white blouses, children in blue aprons running
around, a game of riding at the ring in progress, wine shops, cake
shops, fried fish stalls, and shooting galleries half hidden in clumps
of verdure, from which arose staves bearing the tricolor; and farther
away, in a bluish haze, a line of tree tops marked the location of a
road. To the right she could see Saint-Denis and the towering basilica;
at her left, above a line of houses that were becoming indistinct, the
sun was setting over Saint-Ouen in a disk of cherry-colored flame, and
projecting upon the gray horizon shafts of light like red pillars that
seemed to support it tremblingly. Often a child's balloon would pass
swiftly across the dazzling expanse of sky.
Public-domain text, read in full here on John Shaqi.
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