'Silence, impudent-face! You are not talking to Radsikoff. I am a
Poet, and I demand my rights.'
Kloot was silent from sheer surprise.
Goldwater was similarly impressed. 'What rights?' he observed more
mildly. 'You've had your twenty dollars. And that was too much.'
'Too much! Twenty dollars for the masterpiece of the twentieth
century!'
'In the twenty-first century you shall have twenty-one dollars,' said
Kloot, recovering.
'Make mock as you please,' replied the poet superbly. 'I shall be
living in the fifty-first century even. Poets never die--though, alas!
they have to live. Twenty dollars too much, indeed! It is not a dollar
a century for the run of the play.'
'Very well,' said Goldwater grimly. 'Give them back. We return your
play.'
This time it was the poet that was disconcerted. 'No, no, Goldwater--I
must not disappoint my printer. I have promised him the twenty dollars
to print my Hebrew "Selections from Nietzsche."'
'You take your manuscript and give me my money,' said Goldwater
implacably.
'Exchange would be a robbery. I will not rob you. Keep your bargain.
See, here is the printer's letter.' He dragged from a tail-pocket a
mass of motley manuscripts and yellow letters, and laid them beside
the telephone as if to search among them.
Goldwater waved a repudiating hand.
'Be not a fool-man, Goldwater.' The poet's carneying forefinger was
laid on his nose. 'I and you are the only two people in New York who
serve the poetic drama--I by writing, you by producing.'
Goldwater still shook his head, albeit a whit appeased by the
flattery.
Kloot replied for him: 'Your manuscript shall be returned to you by
the first dustcart.'
Pinchas disregarded the youth. 'But I am willing you shall have only a
fortnight's rehearsals. I believe in you, Goldwater. I have always
said, "The only genius on the Yiddish stage is Goldwater."
Klostermann--bah! He produces not so badly, but act? My grandmother's
hen has a better stage presence. And there is Davidoff--a voice like a
frog and a walk like a spider. And these charlatans I only heard of
when I came to New York. But you, Goldwater--your fame has blown
across the Atlantic, over the Carpathians. I journeyed from Cracow
expressly to collaborate with you.'
'Then why do you spoil it all?' asked the mollified manager.
'It is my anxiety that Europe shall not be disappointed in you. Let us
talk of the cast.'
'It is so early yet.'
'"The early bird catches the worm."'
'But all our worms are caught,' grinned Kloot. 'We keep our talent
pinned on the premises.'
'I know, I know,' said Pinchas, paling. He saw Mrs. Goldwater tripping
on saucily as Ophelia.
'But we don't give all our talent to one play,' the manager reminded
him.
'No, of course not,' said Pinchas, with a breath of hope.
'We have to use all our people by turns. We divide our forces. With
myself as Hamlet you will have a cast that should satisfy any author.'
Public-domain text, read in full here on John Shaqi.
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