So they had to come, the arrogant Americans; they had to swarm like rats to the pied piper. He could draw them at will, the haughty heathen--draw them by the magic of his finger-touch on pieces of ivory. Lo, they were coming, more and more of them! Through the corner of his eye he espied the figures drifting in from the corridors, peering in spellbound at the doors. With a great crash on the keys, he shook off his morbid mood, and plunged into Scarlatti's Sonata in A, his fingers frolicking all over the board, bent on a dominating exhibition of technique. As he stopped, there was a storm of hand-clapping. Rozenoffski gave a masterly start of surprise, and turned his leonine head in dazed bewilderment. Was he not then alone? '_Gott im Himmel!_' he murmured, and, furiously banging down the piano-lid, stalked from these presumptuous mortals who had jarred the artist's soliloquy. But the next afternoon found him again at the public piano, devoting all the magic of his genius to charming a contemptible Christendom. He gave them Beethoven and Bach, Paradies and Tschaikowski, unrolled to them the vast treasures of his art and memory. And very soon, lo! the Christian rats were pattering back again, only more wisely and cautiously. They came crawling from every part of the ship's compass. Newcomers were warned whisperingly to keep from applause. In vain. An enraptured greenhorn shouted 'Encore!' The musician awoke from his trance, stared dreamily at the Philistines; then, as the presence of listeners registered itself upon his expressive countenance, he rose again--but this time as more in sorrow than in anger--and stalked sublimely up the swarming stairs. It became a tradition to post guards at the doors to warn all comers as to the habits of the great unknown, who could only beat his music out if he imagined himself unheard. Scouts watched his afternoon advance upon the piano in an empty hall, and the word was passed to the little army of music-lovers. Silently the rats gathered, scurrying in on noiseless paws, stealing into the chairs, swarming about the doorways, pricking up their ears in the corridors. And through the awful hush rose the master's silvery notes in rapturous self-oblivion till the day began to wane, and the stewards to appear with the tea-cups. And the larger his audience grew, the fiercer grew his resentment against this complacent Christendom which took so much from the Jew and gave so little. 'Shylocks!' he would mutter between his clenched teeth as he played--'Shylocks all!' IV With no less punctuality did Rozenoffski pace the silent deck each night in the hope of again meeting the red-haired Jewess. He had soon recovered from her menial office; indeed, the paradox of her position in so anti-Semitic a household quickened his interest in her. He wondered if she ever listened to his playing, or had realized that she had entertained an angel unawares.