There were tears to be wiped from his own face when he ended, and he
wiped them brazenly, unresentful of the frenzied approval of the
audience, which now let itself go, out of stored-up gratitude, and
because this must be the last performance. All his vanity, his
artistic posing, was swallowed up in utter sincerity. He did not shut
the piano; he sat brooding a moment or two in tender reverie. Suddenly
he perceived his red-haired muse at his side. Ah, she had discovered
him at last, knew him simultaneously for the genius and the patriot,
was come to pour out her soul at his feet. But why was she mute? Why
was she tendering this scented letter? Was it because she could not
trust herself to speak before the crowd? He tore open the delicate
envelope. _Himmel!_ what was this? Would the maestro honour Mrs.
Wilhammer by taking tea in her cabin?
He stared dazedly at the girl, who remained respectful and silent.
'Did you not hear what I was playing?' he murmured.
'Oh yes--a synagogue medley,' she replied quietly. 'They publish it on
the East Side, _nicht wahr_?'
'East Side?' He was outraged. 'I know nothing of East Side.' Her
absolute unconsciousness of his spiritual tumult, her stolidity before
this spectacle of his triumphant genius, her matter-of-fact acceptance
of his racial affinity, her refusal to be impressed by the heroism of
a Hebrew pianoforte solo, all she said and did not say, jarred upon
his quivering nerves, chilled his high emotion. 'Will you say I shall
have much pleasure?' he added coldly.
The red-haired maid nodded and was gone. Rozenoffski went mechanically
to his cabin, scarcely seeing the worshippers he plodded through;
presently he became aware that he was changing his linen, brushing his
best frock-coat, thrilling with pleasurable excitement.
Anon he was tapping at the well-known door. A voice--of another
sweetness--cried 'Come!' and instantly he had the sensation that his
touch on the handle had launched upon him, as by some elaborate
electric contrivance, a tall and beautiful American, a rustling
tea-gown, a shimmer of rings, a reek of patchouli, and a flood of
compliment.
'So delightful of you to come--I know you men of genius are
_farouches_--it was awfully insolent of me, I know, but you have
forgiven me, haven't you?'
'The pleasure is mine, gracious lady,' he murmured in German.
'_Ach_, so you are a German,' she replied in the same tongue. 'I
thought no American or Englishman could have so much divine fire. You
see, _mein Herr_, I do not even know your name--only your genius.
Every afternoon I have lain here, lapped in your music, but I might
never have had the courage to thank you had you not played that
marvellous thing just now--such delicious heartbreak, such adorable
gaiety, and now and then the thunder of the gods! I'm afraid you'll
think me very ignorant--it wasn't Grieg, was it?'
He looked uncomfortable. 'Nothing so good, I fear--a mere impromptu of
my own.'
Public-domain text, read in full here on John Shaqi.
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