One night, whilst my grandfather was visiting Sir Peter, they were sitting at supper in the old dining-hall. The two old sisters of Sir Peter, Eliza and Jessie, were present. Suddenly the faint strain of the pipes was heard in the distance, surely no uncommon sound in Scotland, where every Laird has his own piper to play round the dining-table, yet a sudden silence fell upon the little party of four. All ears were listening intently, and straining eyes were blank to all but the evidence of hearing. The noise grew louder, the piper seemed to be mounting the stone staircase, yet his brogues made no sound as he ascended. Sir Peter dropped his head down into his arms folded upon the table. He sought to hide the fear in his old eyes. The women sat as if chiseled out of granite, gray to the lips. The piper of Fingask had come for one of them. Which? Now the piper of death was drawing very near, the skirl of his pipes had nearly reached the door. In another moment, with a full blast of triumph that beat about their ears as it surged into the hall, he had passed, and had begun his ascent to the ramparts. The skirl was dying away into a wail. Miss Eliza spoke: "He's come for you, Jessie." There was no response. The piper of Fingask was playing a "Last Lament" now, as he swung round the ramparts. True enough he had come for Miss Jessie, and very shortly after she obeyed the call. To this day there are men and women who never forget to offer up their passionate regret for Prince Charles before they sleep. I know of one old Scottish house where his memory is an ever-present, ever-living thing. The shadowy old room is consecrated to him. On the walls hang portraits of him, and trophies of the '15 and the '45 stand round in glass cases. On one table lies a worn, white cockade, yellow with age, and a lock of fair hair clasped by a band of blackened pearls. In a tall slender glass there is always, in summer-time, a single white rose. Above is the portrait of the idol of the present house, who gave in the past of their all in life and treasure, for the cause they hold so sacred, so dear. I cannot look upon that gay, careless, handsome face without the tears rising to my eyes. His eyes smile into mine. Involuntarily I bend before him. What was the power in you, Prince Charles Edward Stuart, that drew from countless women and men that wild unswerving devotion? Which made light of terrible hardships, which followed you faithfully through glen and corrie? What is that power which you still exert over those to whom your name is but a memory, but who still, when they think on you or look upon your pictured face, cry silently in their hearts for the lost House of Stuart? "Oh! waes me for Prince Charlie!"