Giant brains; or, Machines that thinkBerkeley, Edmund Callis
Science
Giant brains; or, Machines that think
Berkeley, Edmund Callis
Computers -- Popular works
According to the story, a young Swiss, an ardent student of physiology
and chemistry, Victor Frankenstein, finds the secret of life. He makes
an extremely ugly, clever, and powerful monster, with human desires.
Frankenstein promptly flees from his laboratory and handiwork. The
monster, after seeking under great hardships for a year or two to earn
fair treatment among men, finds himself continually attacked and harmed
on account of his ugliness, and he becomes embittered. He begins to
search for his creator for either revenge or a bargain. When they meet:
“I expected this reception,” said the daemon.
“All men hate the wretched; how then must I be hated
who am miserable beyond all living things! Yet you my
creator detest and spurn me, thy creature, to whom thou
art bound by ties only dissoluble by the annihilation
of one of us. You purpose to kill me. How dare you
sport thus with life? Do your duty towards me, and I
will do mine towards you and the rest of mankind. If
you will comply with my conditions, I will leave them
and you at peace; but if you refuse, I will glut the
maw of death, until it be satiated with the blood of
your remaining friends.”
Frankenstein starts to comply with the main condition, which is to
make a mate for the monster; but Frankenstein cannot bring himself
to do it. So the monster causes the death one after another of all
Frankenstein’s family and closest friends; and the tale finally ends
with the death of Frankenstein and the disappearance of the monster.
As the dictionary says about Frankenstein, “The name has become a
synonym for one destroyed by his own works.”
ROSSUM’S UNIVERSAL ROBOTS
Perhaps the next study of the consequences of a machine that thinks
is a remarkable play called _R.U.R._ (for Rossum’s Universal Robots),
first produced in Prague in 1921. Karel Čapek, the Czech dramatist who
wrote it, was then only 31. The word “robot” comes from the Czech word
“robota,” meaning compulsory service.
According to the play, Rossum the elder, a scientist, discovered a
“method of organizing living matter” that was “more simple, flexible,
and rapid” than the method used by nature. Rossum the younger, an
engineer, founded a factory for the mass production of artificial
workmen, robots. They had the form of human beings, intelligence,
memory, and strength; but they were without feelings.
In the first act, the factory under Harry Domin, General Manager, is
busy supplying robots to purchasers all over the world—for work, for
fighting, for any purpose at all, to anyone who could pay for them.
Domin declares:
Public-domain text, read in full here on John Shaqi.
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