Gideon's Band: A Tale of the MississippiCable, George Washington
General
Gideon's Band: A Tale of the Mississippi
Cable, George Washington
Mississippi River -- Fiction
Phyllis strike the water together, and a moment later I saw them--their
heads. She was holding to the mattress with one hand and to him with the
other. But presently I heard her give a low wail and saw him slip from
her and sink. Then the smoke came down between us, and by and by the
returning yawl, whose men had heard my calls and had seen Mr. Gillmore's
skiff pick up the mate, found me on the cotton bale and had barely
lifted me in when I fainted away."
Ramsey covered her face again. It would have been joy to her to let one
of the drops that melted through her fingers fall on Hugh's hand.
Watson cleared his throat. "Sort o' inquirin' fo' one o' you, down on
the roof," he said without looking back. He was a man not above
repeating himself for a good end. "Third time they've sung out to me,
but--up here I off'm don't notice much f'om anywheres 'at ain't hove
right at me."
Ned entered and silently took the wheel.
XXXII
A PROPHET IN THE WILDERNESS
Through all the middle watch of Sunday night, with her Ned quite alone
in the pilot-house, the _Votaress_ came and passed from crossing to
crossing, up reaches, through chutes, around points and bends, a meteor
in harness. Such she seemed from the dim shores. So came, so passed,
before the drowsy gaze of that strange attenuated fraction of humanity
which scantily peopled the waters and margins of the great river to win
from it the bare elements of livelihood or transit, winning them at a
death-rate not far below the immigrant's and in a vagabondage often as
wild as that of the water-fowl passing unseen in the upper darkness.
If to the contemplation of the Courteneys, father and son, the fair
craft, "with all her light and life, speeding, twinkling on and on
through the night," was "a swarm of stars," or "one little whole world,"
how shall we see her--with what sense of wonder and splendor--through
the eyes of the flatboatman or the swamper, the raftsman, the island
squatter, the trading-scow man, the runaway slave in the canebrake, the
woodyard man, or the "pirooter"--that degenerate heir, dwarfed to a
parasite, of the terrible, earlier-day land-pirates and river-wolves of
Plum Point and Crow's Nest Island? To such sorts, self-described as
human snapping-turtles and alligators, her peacock show of innumerable
lights was the jewelled crown of the only civilization they knew,
knowing it only with the same aloofness with which they knew the stars.
She woke them with the flutter of her wheels as of winged feet and
passed like a goddess using the river's points and islands for
stepping-stones, her bosom wrapped in a self-communion that gave no
least hint of its intolerable load of grief and strife.
Public-domain text, read in full here on John Shaqi.
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