Gideon's Band: A Tale of the MississippiCable, George Washington
General
Gideon's Band: A Tale of the Mississippi
Cable, George Washington
Mississippi River -- Fiction
She could only nod. Just then Mrs. Gilmore's maid, in a long burnoose,
with umbrellas and wraps, rose into sight close below, on a stair from
the passenger-guards, spread one of her umbrellas and looked eagerly
about for her mistress. One glance went up to Ramsey, who beckoned
through the glass, but the maid gave no sign of seeing her. The slight
rain had momentarily freshened, and she was so muffled to the eyes in
the light veil which was always on her head or shoulders in pretty
Spanish fashion that when she started forward round the skylights for
the other side of the roof Ramsey laughed to Hugh:
"Why, I know it's Harriet by her veil, don't you?"
"I know only the veil. I saw it come aboard."
"The veil of mystery!" she playfully murmured, began to hum a tune and
bit her lip on noticing that it was "Gideon's Band." "Don't you think I
might omit that to-night?"
"No, it's the best thing you do."
"Humph!--mighty poor reason--Aha! I knew it was Harriet."
The Gilmores were beckoning out their window. The actor opened the door
on that side and the maid came warily in. Briefly and in hurried apology
under her breath while dealing out her burdens she told of the
impatience of those below to resume the rehearsal and of their having
driven her to this errand the moment they could. Mrs. Gilmore handed
Hugh a shawl for Ramsey and an umbrella for himself, her husband laid a
mantle on her shoulders, and the maid reopened the door he had shut; but
Hugh called from the one opposite that it was the better way and the
players started for it. The younger pair gave them precedence, a breeze
swept through, the maid reshut her door, Hugh, holding his, bade her
follow her mistress, she sprang to obey and the "veil of mystery," which
caught in the closed door, was stripped from her like a sail from a
wreck.
[Illustration: "Stop!... Stop! the safest place for you on this boat now
is right where you are standing--Phyllis"]
Instantly she crouched and with the swiftness of a wild creature flashed
round and snatched open the door by which she had entered; but a form
pressed between her and the opening and when she threw up her face she
was looking close into the astounded eyes of Hugh Courteney. Her frame
recoiled but not her eyes; his own held them. Without turning he shut
the door at his back as Ramsey closed the one opposite, and still
holding the maid servant's gaze, he followed her slow retreat, and in
that droll depth of voice which earlier had been Ramsey's keenest
amusement said to the eyes so near his own:
"Stop!... Stop! the safest place for you on this boat now is right where
you are standing--Phyllis."
XXXVII
BASILE USES A CANE
There was a gorgeous sunset that day. Many were on the uppermost decks
to see or show it, amid a lively social confusion dull to Hugh but
delightful to Ramsey. In fact, Hugh had begun to want her and the
hurricane-deck to himself.
Public-domain text, read in full here on John Shaqi.
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