Gideon's Band: A Tale of the MississippiCable, George Washington
General
Gideon's Band: A Tale of the Mississippi
Cable, George Washington
Mississippi River -- Fiction
She stopped because her presence seemed about to precipitate a terrible
mischief, and she stood because flight would but leave that mischief to
do its worst. Through this glaring show of likeness she seemed to be in
the keenest danger of betraying back into slavery on the spot this poor,
intrepid "Harriet," identified as the Phyllis supposed these ten years
to be under the floods of the Mississippi. At that moment, on the stage,
in Ramsey's role of a housemaid, the role from which Ramsey bitterly
remembered she had been excused through Hugh Courteney's urging,
"Harriet" chanced to be acting a ludicrous dismay before a transient
dilemma in which, as in Ramsey's, staying threatened disaster yet good
faith said stay--Ramsey's own present actual case except that Harriet's
was comic. A hundred beholders laughed, and then turning and peering at
the dim, central figure of Ramsey suddenly redoubled the laugh and
presently redoubled it again.
Yet it yielded a certain relief. While there is mirth there is hope.
Even now the player of the part was recognized only as Mrs. Gilmore's
maid. Her resemblance to Ramsey was passing for pure accident. That the
whole thing was visibly offensive to Hayle's twins made it all the more
amusing, and Ramsey's pause in the aisle seemed the most natural thing
she could do on finding herself in two places at the same time. So for a
moment, in which she rejoiced that at any rate the twins had never seen
Phyllis as Phyllis. But then the demonstration broke short off. At
different points three men stood up at once. In the front row appeared
Julian. A few seats behind him loomed the exhorter. The third rose just
at Ramsey's elbow, offering her his seat, yet counting it but courtesy
still to keep his attention mainly on the play. It was the first clerk,
he who had once been clerk on the _Quakeress_, where he had known
Phyllis as Hugh's nurse, and whose scrutiny "Harriet" had until now
somehow escaped. Whether in thanking him Ramsey accepted or declined she
hardly knew, for just then the gaze he still bent on "Harriet" showed a
gleam of recognition. Ramsey's heart rose into her throat. She murmured
a hurried word, which she had to go over a second time before it took
effect on him:
"Mr. Hugh's looking for you, out forward. The commodore and the captain
are both sick."
As the announcement drew his quick glance she almost waved him to go.
Yet what was done was done; with Phyllis recognized, it might be far
better for him to remain, and she turned her dismissing gesture into one
of detention.
"I'm Miss Hayle," she whispered, while both looked again toward Julian
and "Harriet." "That's my old mammy back yonder. I want my twin
brothers. Mom-a wants them, up in the texas, as quick as--never mind,
here they come."
XLIV
FORBEARANCE
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account