He stepped quickly from the "stage." The curtains drew apart. The scene revealed was a drawing-room. In it stood alone, as if playfully listening for something, the housemaid; not "Harriet" but Ramsey. (Laughter and applause.) XLVI AFTER THE PLAY Neither Hugh nor Ramsey slept a moment that night. And no more did the Gilmores or "Harriet" or John the Baptist or even the senator or the Californian. The play, second act, was cut without mercy and rushed to a close to let its hero and heroine off at Napoleon, which Ned called a "future city" but which, some years later, became a former city, by melting into thin air, or thick water, and leaving not so much behind as a candle-end or a broken bottle. It was not far above there that these unsleeping passengers began to remark a fresh rise in the river's flood, which her "family" and crew had noticed much earlier by a difference in the nature and quantity of its driftwood. Near the mouth of White River, about an hour's run above Napoleon, a great floating tree stump, with all its roots, was caught on the buckets of the "labboard" wheel--"like a cur on a cow's horn," said Gilmore--and carried clear over it with a sudden hubbub in the paddle-box, tenfold what ten curs could have made, bringing to his feet every passenger not abed, and scaring awake every sleeping one. Neither Ramsey nor Hugh ever forgot it, for it evoked the last stir in the supine form of Basile, and a faint spasm in his cold grasp on Hugh's fingers. Under his freer hand, on his all but motionless breast, lay his mother's crucifix. Shortly before, while waiting for Hugh's tardy coming, he had held a hand of his sister, whose other held her mother's. On the edge of the berth, at his feet, sat Lucian, very pale, with Julian standing by him. Both betrayed deep feeling yet kept a brave look that was good to see even with eyes as prejudiced as Hugh's. Only Basile himself was without tears. How fashions change! There are styles even in death-bed scenes. This one was of the old fashion, bearing a strong tinge of fatalism; no hopeful make-believe to the dying that death was other than death; no covert, diligent, desperate economies of the vital spark; but a frank, helpless reception of the dread angel as a royal guest, and a pious, inert consent to let the dying die. Before either Hugh or Ramsey could come from the cabin the twins had reached the bedside and had been received with a final lighting up of the boy's spent powers, which his mother made no effort to restrain. In a feeble, altered voice, without heat, scorn, or petulance, with a mind stripped of all its puerilities and full of fraternal care and faithfulness, and with a magisterial dignity far beyond his years, he slowly poured out a measured stream of arraignment and appeal which their hardened hearts were still too young to withstand unmoved.