Gilead Balm, knight errant : $b His adventures in search of the truthCapes, Bernard
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Gilead Balm, knight errant : $b His adventures in search of the truth
Capes, Bernard
Detective and mystery stories, English; English fiction -- 20th century
“I trust, Madam,” said Gilead gently, “that, in consenting to act as
an intermediary in a matter of so delicate a nature, I convey with me
your correspondent’s intimation as to the reasons which induced him to
the choice of his representative. Let me assure you that I undertake
the confidence with the profoundest sympathy with and respect for its
nature. He describes me--”
She raised an entreating hand, interrupting him. “He describes you,
sir,” she said, in faintly hollow tones, “as his deputy for the truth.
O, believe me, I understand fully! I have long dreaded this moment.”
“Madam,” exclaimed Gilead, startled.
She leaned forward, agonised, intense.
“He has discovered it, then,” she said, “and the romance of my life is
blighted in its vernal prime. The photograph--”
“I have had the privilege of seeing it,” said Gilead at a loss,
observing that she stopped.
To his horror the lady, on that admission, sank back in her seat,
sobbing amphorically.
“Deliver your blow, sir, in swiftest mercy,” she said. “Strike and
spare not. Return to your principal and denounce the fond impostor,
who sought, by an ardent subterfuge, to draw out for yet a little the
linked sweetness of a correspondence which had come to form the
romance and solace of her loveless days. Your mission is the truth.
Speak it unpityingly. Compare for his disenchantment the portrait with
the original; say that you found me spare, unattractive if you will,
past my first youth; assert, what it is useless to deny, that, with
the desperate purpose to retain his admiration, to evoke even a
warmer, a more ecstatic communion of soul, I did that, succumbed to a
temptation, whose fruits could only realise themselves in dust and
vanity. Yes, sir, I confess it; the photograph represents the Cornelia
of many years ago; and even if, as some say--Mr Balm! What is it!”
He was stretching up his arms, standing on his toes, in a sort of
moral elevation.
“As _his_ photograph represents the Emmanuel of many years ago!” he
cried, and came flat down on his soles.
She rose, she uttered a little scream in a deep way.
“What is that you say!” she cried.
“Madam,” he said, “nothing can be gained by evasion. The Mr Bundy of
the photograph was interesting and slim; the Mr Bundy of to-day is
interesting and fat. It was to acquaint you of that fact--of a
trifling misrepresentation, common, it appears, to you both--that I
accepted my commission.”
Miss Cox rose, she clasped her hands exquisitely and craned her lean
neck.
“Fat!” she whispered.
“I cannot qualify the term,” said Gilead firmly. “As fat, Madam, as
butter. What then? Napoleon was fat, Horace was fat; Johnson, Boswell,
Gibbon, Luther, Handel were all fat. Mr Bundy cannot be blamed for
emulating the example of those great men; and if--”
“Fat!” repeated the lady, closing her eyes, and in a voice of thrilled
ecstasy: “I _doat_, simply _doat_ on a fat man!”
Public-domain text, read in full here on John Shaqi.
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