Gipsy Life: Being an account of our Gipsies and their children, with suggestions for their improvementSmith, George
History
Gipsy Life: Being an account of our Gipsies and their children, with suggestions for their improvement
Smith, George
Romanies -- Great Britain
The Gipsy race is supposed to be the most beautiful in the world, and
amongst the Russian Gipsies are to be found countenances, which, to do
justice to, would require an abler pen than mine; but exposure to the
rays of the sun, the biting of the frost, and the pelting of the pitiless
sleet and snow destroys the beauty at a very early age, and if in infancy
their personal advantages are remarkable, their ugliness at an advanced
age is no less so, for then it is loathsome and appalling:—“He wanted but
the dark and kingly crown to have represented the monster who opposed the
progress of Lucifer whilst careering in burning arms and infernal glory
to the outlet of his hellish prison.” In our own country a number of
Gipsies sit as models, for which they get one shilling per hour. They
are not in demand as perfect specimens of the human figure from the crown
of the head to the sole of the foot; but few of them, owing to their low,
debasing habits, have arrived at that state of perfection. I know one
real, fine, old Gipsy woman who sits to artists for the back of her head
only, on account of her black, frizzy, raven locks. One will sit for her
eyes, another for the nose, another for the hands and feet, another for
the colour only. Alfred Smith sits for his feet, and there are others
who sit for their legs and arms. No class of people, owing to their
mixture with other classes, tribes, and nations, presents a greater
variety of models for the artist than the Gipsy. If an artist wants to
paint a thief he can find a model among the Gipsies. If he wants to
paint a dark highwayman lurking behind a hedge after his prey he goes to
the Gipsy. If he wants to paint Ajax he goes to the Gipsy. If he wants
to paint a Grecian, Roman, or Spaniard he goes to the Gipsy. Of course
there are exceptions, but if an artist wants to paint a large, fine,
intellectual-looking figure, with an open countenance, he keeps away from
the Gipsies and seeks his models elsewhere. Dregs among the Gipsies have
produced queens for the artists.
Gipsies with a mixture of English blood in their veins have produced men
with pluck, courage, and stamina, strongly built, with plenty of muscle
and bone. Two “bruisers” of the Gipsy vagabond class have worn the
champion’s belt of the world; and, on the other hand, this mixture of
English and Gipsy blood has produced some fine delicate Grecian forms of
female beauty, dove-like, soft in eye, hand, and heart—the flashy fire in
the eye of a Gipsy has been reduced to the modesty and innocence and
simplicity of a child. Our present race of Gipsies, under the influence
of education, refinement, and religion, will, if properly and wisely
taken in hand and dealt with according to the light of reason and truth,
produce a class of men and women well qualified to take their share, for
weal or for woe, in the struggle of life.
Public-domain text, read in full here on John Shaqi.
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