“Listen, Sally,” Van Horne leaned toward her suddenly, crushing her
little brown-painted hands between his own immaculate white ones. “Let
me get you out of this mess! I’ve been thinking a lot about you—too
damned much for my peace of mind! And this is what I want to do—”
“Please!” Sally gasped, shrinking far into the corner of the seat, but
unable to tear her hands from his.
“Wait till you’ve heard what I have to say, before you begin acting like
a pure and innocent maid in the clutches of a movie villain!” Van Horne
commanded her scornfully.
“I want to send you to New York, give you a year in a dancing academy
that trains girls for the stage and a year in dramatic school—both at
the same time, if possible. You’ve got the figure and the looks and the
personality for a musical comedy star, or Arthur Van Horne is the ‘rube’
that you carnival people call him. What do you say, Sally? Think of it.
A year or two with nothing to worry about except your studies and your
dancing and then—Broadway! I’ll put you over if I have to buy a show for
you! Come, Sally! Say ‘Thank you, Van. I’ll be ready to leave
tomorrow.’”
As long as she lived, Sally Ford would remember with shame that for one
moment she was tempted by Arthur Van Horne’s offer to prepare her for a
stage career in New York. She had “play-acted” all her life; her heart’s
desire before she had met David had been to become an actress, and in
that one moment when she knew that realization of her ambition lay
within her grasp she wanted to stretch out her hands and seize
opportunity.
Her eyes glistened; she gasped involuntarily with delight. If Van Horne
had not been hasty, if he had not snatched her to him with a strangled
cry of triumph as his black eyes—mocking no longer, but wide and
brilliant with desire—read the effect of his words, she might have
committed herself, have promised him anything. But he did touch her, and
her flesh instinctively recoiled, for every nerve in her body was still
athrill with David’s good-night kiss.
“No, No! Don’t touch me!” she shuddered. “I won’t go! You know I love
David!” she wailed, covering her face with her hands. “Why won’t you let
me alone?”
Van laughed, settled back in his seat and crossed his arms upon his
breast. “I can wait until you have your little tummy full of carnival
life and of hiding from the police,” he told her in his old, nonchalant
way. “Incidentally I have always bemoaned the fact that conquest is so
damnably easy. It is a new experience to me—this being refused, and I
suspect that I’m enjoying it. Now—shall I say good-night, since we’ve
reached the carnival lot? It’s not goodby, you know, Sally. I assure you
I’m admirably persistent. And remember, if Enid tries to make a nuisance
of herself, you can always fly to Van. Good night, Sally, you adorable,
ungrateful little wretch! No kiss? Perhaps it is better so. I’m afraid I
should not care for the brand of lipstick that Princess Lalla uses.”
Public-domain text, read in full here on John Shaqi.
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