She knew that her cheeks were like tea roses, her sapphire eyes as
brilliant as the jewel whose color they had imitated so perfectly. She
knew that her wind-blown bob of gleaming, silky-soft black hair was
ravishing, that her “period costume” of sea-shell pink taffeta and
silver lace, made sinfully expensive by its intricate embroidery of seed
pearls, was the most beautiful dress worn by any debutante of the season
so far.
She knew all these things because the enviously ecstatic compliments of
the other girls had told her so, because Enid Barr, her mother, who all
these people thought was only her adopted mother, was luminous with
pride and joy in her, because even Courtney Barr, with whom she still
felt ill-at-ease, looked like a pouter-pigeon in his possessive
satisfaction.
But Sally Barr was play-acting and the Sally Ford she had been looked
on, in a skimpy little white lawn dress edged with five-cent lace, and
watched the performance with critical eyes, or, rather, watched as often
as those hungry, desperate eyes turned away from the door, unable to
bear the sight of newcomers because none of them was David.
The Sally Ford in the skimpy little white lawn dress which the orphanage
provide for Sundays and for rare dress-up occasions wondered how these
strange, glamorous people could not see her beneath the sea-shell pink
taffeta with its silver lace and precious seed-pearl embroidery. And
this Sally Ford whom they could not see kept telling herself over and
over that her dreams had come true: she had a mother who was rich and
beautiful and tender and wise—nearly always wise, except about David;
she was living in a mansion more magnificent than the orphaned
“play-actress” had ever been able to conjure; she was beautiful and
popular; these strange people who were “in society” were here because
Sally Ford—no, Sally Barr!—was making her debut, was being accepted as
one of them.
She told herself these things and her eyes again darted to the door,
hungry for the sign of a penniless, 23-year-old farmer boy who would be
as much out of place in this ballroom among these strange, glamorous
people as Sally Ford in her skimpy little white lawn dress.
Three words hammered their staccato message ceaselessly on her
listening, watching nerves: “Coming. Thanks. David.” Three words which
had broken the silence of two and a half years.
Coming—thanks—David—Coming—thanks—David—
“Darling, this is Mrs. Allenby, a very old and dear friend of mine—”
Sally Barr smiled her shy, sweet, little-girl smile and Sally Ford noted
the success of it critically as the frumpy, dyed-haired little old lady
passed on down the receiving line. Coming—thanks—David—But, oh, was he
coming?
Public-domain text, read in full here on John Shaqi.
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