Sally’s lips parted to tell him of Nita’s threat if she did not
relinquish her claim upon David’s love and friendship, but before the
first word tumbled out, the old inhibition against tattling, taught her
in the stern school of life in an orphanage, restrained her.
“You’re all so good to me,” she choked, then turned abruptly away to
where “Pitty Sing,” the midget, was impatiently awaiting her human
sedan-chair.
“I don’t want to influence you unduly,” the midget piped in her prim,
high little voice, “but Mr. Bybee and Gus are right. You are safer with
the carnival than anywhere else in the state, and if you ran away I
should be very sorry. I like you, Sally. I like you very much.”
The dress tent was taken down by the “white hopes” almost before the
women performers had had time to change from show clothes to nightgowns
and kimonos. By twelve o’clock the lot was as bare of tents and booths
and ferris wheels and motordromes and “whips” and merry-go-rounds as if
those mechanical symbols of joy and fun had never existed.
And Sally lay on the lumpy, smelly mattress of her upper berth in the
ancient Pullman car, waiting for her David’s whistled signal—a bar of
“Always.” She was fully dressed.
Her heart sang the words—“I’ll be loving you—always! Not for just an
hour, not for just a day, not for just a year, but—always!”
She could have sent word to David by Gus or Pop Bybee that she had given
up her frantic plan to run away; that he need not meet her in the
darkness of the pulsing, hot June night. But—she had not—
It came then—clear and true, the whistled notes of the song which her
heart sang to David—“I’ll be loving you—always!”
She edged over the side of the berth, the toe of her slipper groping
until it found the edge of the lower berth in which the midget was
sleeping. When she was safe in the aisle she cast a fearful glance up
and down the car, and noted with uneasy surprise that Nita’s berth,
directly opposite the midget’s, was still unoccupied, the green curtains
spread wide so that the grayish-white blur of the sheet and pillow was
plainly discernible in the faint light from the one electric globe over
the door.
But she had no time now to worry about Nita or Nita’s threats. David was
awaiting her—with the song still humming its sweet, extravagant promise
in his heart. Or—was it? Had he chosen the song idly? Had he meant
anything by that teasing kiss on the tip of her nose, by his “Dear
little Sally!”
“Being in love hurts something terrible,” Sally shook her head at her
own turbulent emotions, unconsciously employing the homely language of
the orphanage. “But even if he doesn’t love me I’m glad I love him.
David, David!”
CHAPTER VIII
The night was eerie with voices from unseen bodies, or bodies
half-revealed in the flare of gasoline torches, as the business of
loading the carnival proceeded. Soft, rich voices from black men’s
throats blended with the velvety softness of the late-June night:
Public-domain text, read in full here on John Shaqi.
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