As the evening wore on the heat grew more and more oppressive. The
wilted audience passed languidly from freak to freak, mopping their red
faces and tugging at tight collars. Children cried fretfully,
monotonously; women reproved them with high, heat-maddened voices; Jan,
the giant, fainted while Gus was ballyhooing him, and it took six “white
hopes” to carry him to his tent. At eleven o’clock, when Gus had just
started his last “spiel” of the evening, a terrified black man, with
eyes rolling and sweat pouring down his face, staggered into the tent,
bawling:
“Awful storm’s blowin’ up, folks! Look lak a cyclone! Run for yo’ lives!
Tents ain’t safe! Oh, mah Gawd!”
The storm broke with such sudden and devastating fury that the
performers in the Palace of Wonders tent had little time to obey the
“white hope’s” frantic bellow of warning.
The terrified audience milled like stampeded cattle, choking up both
exits of the tent, that leading out into the midway, and the flap at the
back of the tent through which performers passed in and out between
shows. At each exit the fear-crazed carnival visitors were assaulted by
a dazing impact of wind and hail and rain, driven back into the tent.
Sally was fighting her way toward the “alley” exit, her frail, small
body hurling itself futilely against men who had lost all thought of
chivalry, knew only that death threatened.
The region was notorious for its cyclones, and the horror of such a
calamity was stamped on every pallid face. Children screamed; women
shrilled for help, called frantically for their offspring separated from
them in that mad rush for the exits.
Sally had almost won to the alley exit when she remembered “Pitty Sing,”
the midget, tiny, helpless Miss Tanner, who was paying her to carry her
to and from the tent, who must even now be cowering in her baby-chair,
unable even to reach the ground without assistance.
It was not quite so hard to push her way back into the center of the
tent; crazed men and women offered little resistance to anyone who was
so foolish as to tempt death under a collapsed tent.
She had almost reached the midget’s platform when she suddenly felt
herself lifted into a pair of strong arms, swung high above the heads of
the last of the crowd that was battling its way to the exits. Her cry
was instinctive, unreasoning, direct from her heart: “David! Oh, David!”
A mocking laugh answered her and she squirmed in the man’s arms so that
she could see his face. It was not David at all, but the man whom “Enid”
had called “Van.” His face was laughing, gay, mocking, untouched by the
shameful pallor of fear; exultant, rather, in the excitement of the
storm. His dark eyes were wide, shining even through the fitful darkness
made by the flickering of the crazily swinging gas jets.
“Isn’t it glorious?” he challenged her, above the uproar of wind, rain,
hail and the frightened animal sounds of human beings in fear of death.
Public-domain text, read in full here on John Shaqi.
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