Give the man room : $b The story of Gutzon BorglumCasey, Robert J. (Robert Joseph)
General
Give the man room : $b The story of Gutzon Borglum
Casey, Robert J. (Robert Joseph)
Borglum, Gutzon, 1867-1941
In Georgia, the Association removed from the project everyone originally
connected with the memorial except Mrs. Helen Plane. But Mrs. Plane was
old and ill when the notification reached her. She commented on what had
happened to the great memorial and the men who had labored for it. Then
she went to bed and died.
The Association prepared statements repeating and enlarging the original
charges against Borglum. Gutzon saw enough of it to convince him that
masses of this material were sent to every point where any sculpture was
contemplated, across the country from Texas to the Dakotas. Why all this
tireless effort to discredit him? His theory was that the Association
was in debt to the Atlanta banks and had to stay alive long enough to
sell its half dollars and pay its debts. It must maintain the theory of
its integrity by picturing Borglum as a road-company villain.
In Atlanta an active member of the U.D.C. who had friends in both camps
was disturbed because neither the sculptor nor Sam Venable would take
legal steps against the Association. She declared the directors were
destroying Gutzon’s business and would destroy him. “I cannot and will
not add to this quarreling over a memorial to Lee,” he wrote her. “After
I got Coolidge and Smoot and Lodge, and the Senate and Congress to
authorize a coin, I was further bound by my own claims that the
brotherhood of America must be strengthened and preserved.”
But the battle of words went on. And nobody called on Gutzon to produce
his new models. The new sculptor had trouble. The granite firm of
Weiblen Brothers, which had a lease from Sam Venable, refused to permit
the importation of outside stoneworkers. Eventually they reached an
agreement to do the stonecutting themselves on a basis of cost plus
ten-per-cent profit.
The Association seized all of Gutzon’s papers and records as well as his
personal possessions, including art works in his studio and the
machinery on the mountain. When they refused to listen to the U.D.C.’s
suggestion of arbitration, which was definitely provided for in
Borglum’s contract, the sculptor took one step in his own defense. He
sent to Georgia a certified public accountant who disproved the charge
that $185,000 had been spent on his part of the project. The books
showed that only $113,922.61 had gone to the mountain--and this included
the sculptor’s salary and every other expense of the work. The office in
Atlanta at the same time had spent more than $116,000.
There was a persistent rumor through the United States that Borglum’s
real trouble had been a quarrel with the United Daughters of the
Confederacy. That was not true if only for the fact that the political
brothers in the Memorial Association’s directorate had taken away the
voice of these women in 1924. It was thoroughly refuted in a pamphlet
issued by the Atlanta chapter telling where the blame should be placed
for the monument’s loss.
Public-domain text, read in full here on John Shaqi.
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