Give the man room : $b The story of Gutzon BorglumCasey, Robert J. (Robert Joseph)
General
Give the man room : $b The story of Gutzon Borglum
Casey, Robert J. (Robert Joseph)
Borglum, Gutzon, 1867-1941
In meeting friends new or old the sculptor’s outstanding trait was his
unworldly attitude, totally unaffected by praise or blame, by newspaper
gossip or radio commentators. This is exemplified in a story that he
used to tell on himself.
During his early days in New York the actress Blanche Bates, who had
known him in California, invited him to a matinee where he found himself
the lone male in a box of women. He noticed that opera glasses were
being turned on the box, presumably because of the exceptional beauty of
the woman beside him, and tactfully he withdrew into the background.
As he was filing out after the performance he overtook Miss Bates and
asked, “Who was that striking woman sitting next to me?”
Her laugh was spontaneous as she called to her friend, “Oh, Lillian,
here’s one man in the world who never heard of you!”
He had been spending the afternoon with the most glamorous woman in the
world, Lillian Russell, and he hadn’t realized it. He was not
embarrassed. He never liked to be told in advance the names and
positions of people he was likely to meet.
“I don’t care to be hampered by other people’s opinions--or guesses,” he
said. “I like to discover people for themselves. And I do.”
“You certainly do,” conceded Miss Bates.
And, of course, he did.
CHAPTER TWENTY-NINE
_SHRINE OF DEMOCRACY_
A monument’s dimensions should be determined by the importance to
civilization of the events memorialized.--GUTZON BORGLUM.
Back to the mountains came the boy who had felt kinship for them more
than half a century before, to put into form a dream that was as yet
nebulous and disturbed. Vaguely he felt that he was going to preserve
forever some symbol of a great national ideal. The trouble was that he
did not yet have an inkling of what the symbol looked like or how he was
going to keep it intact for future generations to look at. And he had
the granite--the living rock of the mountains--that would turn the
weather as it had been turning it for thousands of years. It would keep
what he carved on it down through time to the rim of eternity.
It sprang from the Stone Mountain conception, this project. But it
wouldn’t be the same thing. There would be no army of horsemen riding
across the white face of a cliff. For this, as he knew but found it hard
to express, must provide a quick glance at the history of the whole
republic, and not until he had accomplished it did he find the words. He
said:
Public-domain text, read in full here on John Shaqi.
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