'But I don't believe in the heart, you see, Serena. There is not a more
mercenary race under the sun than the clergy. They all marry for money.
I can mention quite a dozen; his own uncle at the head of them. Now, you
cannot suppose that he married Mrs Jonathan Prothero for anything but
her fortune and her family.'
'I think he is too simple-minded a man to have considered either the one
or the other.'
'Then why didn't he marry some simple-minded girl, his equal? No, you
are quite out of your depth now, Serena. Depend upon it, that Rowland
Prothero will soon find some English lady just as rich as _I am to
be_--always provided that Lady Mary Nugent doesn't carry off papa, and
get him to leave her the property. These men don't seem to know that it
is not entailed; and that, after all, I may be cut off with a shilling.
I think I may venture to affirm that were such the case, there is not
one of my ninety-nine adorers who would have me, except, perhaps poor
Sir Hugh.'
'Perhaps, Freda, I may have been imprudent, situated as I am here, in
even saying what I have in favour of Rowland Prothero. The fact is, that
not only do I particularly like what I know of him, but there is a
little passage in my early history that makes me have a great pity for
young men who venture to fall in love with young ladies who consider
themselves their superiors.'
'If you will tell me your story, Nita, I will forgive you all the rest,
and finish this sketch of Abertewey for Colonel Vaughan, meanwhile.'
Freda drew well in water-colours, and had before her, as she sat in the
embrasure of one of the windows of that charming morning-room, a
half-finished sketch of Colonel Vaughan's place, which he had begged her
to take for him. Hitherto it had been untouched; now she began to work
at it with pretended vigour, whilst Miss Hall took up the little frock
she was making for a poor child, which had been laid down during the
discussion, and also made believe to stitch and sew industriously.
But there was a flush on her cheek, and a tremor in her voice, as she
began to tell Freda the little passage in her life to which she had
alluded. Freda was conscious of this, and accordingly devoted herself
more energetically to her drawing.
'It was when I was just eighteen, Freda, and during my _beaux jours_,
before my father had lost his fortune, or been obliged to retire from
the army on half-pay on account of that dreadful paralytic
stroke--before my sister's imprudent marriage, and consequent emigration
to Australia--before my dear mother's death. We were a happy and gay
family, and I had then more pride and higher spirits than you would
probably give me credit for now.
Public-domain text, read in full here on John Shaqi.
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