The fabulous wealth accumulated by the Fatimi caliphs of Egypt
(908-1171 A.D.) became proverbial in later days. Makrisi, writing about
the year 1400, quotes from an older writer the description of the
treasure-house of the Khalifah Mustansir Billah. This building was
sacked and burned with all its contents during a military riot between
Turkish and Soudanese troops in 1062. Here among the vast accumulation
of Oriental wealth were, it is stated, many thousand vases of rock
crystal and others of sardonyx. We hear also at this time (but not in
the list of these treasures) of glass mirrors in filigree frames, and
of vessels of glass ornamented with figures and foliage. How the
decoration in this last case was given we are not told, but the
reference is probably to carvings in relief: at any rate it would, I
think, be an anachronism to look for enamelled glass in this connection.
There is, however, one application of glass that we can definitely
associate with these heretic caliphs, but this is scarcely an artistic
one. The little coin-like discs of glass stamped with an inscription in
Arabic had their prototypes in Roman times; a few rare examples have
been found with the heads of Roman emperors and letterings in Latin.
Among the Saracens these coin-like discs continued in use as late as
the fifteenth century. In all cases, I think, they come from Egypt. The
glass discs of the Fatimi period are, however, the most abundant and
these are of special interest, as they bear the name of the ruler,
while those of the later Memlook times have only private inscriptions.
The glass varies from an amber tone to a dark bottle-green, but many
are quite opaque and of a purplish black. As these little discs are of
uniform weights, corresponding to parts and multiples of the gold
_dinar_ and the silver _dirhem_, they were at one time regarded as
coins; they are now, however, recognised as weights, but essentially
weights for weighing coins. Indeed a contemporary Arab writer (985
A.D.) distinctly states that in his day in Egypt they used money
weights of glass; and an Arab traveller of the time mentions
incidentally that such weights have this advantage, that they cannot be
readily increased or decreased. The inscription occupies generally the
whole surface, but a few of them bear a rough design—a ‘seal of
Solomon’ or a rosette. Larger weights of glass are rare, but some of a
cylindrical form weighing more than a pound may be seen in the British
Museum. In Dr. Petrie’s Egyptian collection at University College is a
large mass of black glass with a solid ring handle, the whole some four
inches in height. This is probably a weight, but its date is uncertain.
Public-domain text, read in full here on John Shaqi.
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