At a much later date, not before the eighteenth century probably, a
good deal of opaque white glass, in imitation of porcelain, was made at
Barcelona. At South Kensington may be seen a series of quadrangular
flasks of this material with bevelled edges, about six inches in
height. These flasks—they probably served to hold essences and
spirits—are somewhat rudely painted with floral designs in bright
primitive colours—red, blue, and yellow. Both in India and Persia we
come across examples of glass decorated with ‘painted’ enamels, almost
identical in shape and size with these Spanish bottles. Not only these,
but some of the sherbet-jugs and coffee-cups of this milky glass, that
are still often found in many parts of the East, may well have come
from this district. It will be remembered, however, that a very similar
ware was made about the same time both in France and at Venice.
Other towns in Catalonia, as Cervelló, Almatret, and above all Mataró,
became famous for their glass in the seventeenth and eighteenth
centuries. There is more than one record of distinguished foreign
princes who were conducted in royal galleys to visit the glass-works of
this last town.
M. Schuermans has discovered the names of more than twenty Italians
from L’Altare or from Venice, who found their way to Spain, in some
cases by way of Flanders. At Lisbon, too, in the seventeenth century,
there were many foreign glass-makers, Muranese, Altarists, and Flemings.
At Cadalso, in the province of Toledo, glass-furnaces were at work as
early as the beginning of the sixteenth century; indeed they are said
at that time to have supplied the whole kingdom of Castile. At these
works, at a somewhat later time, the Italian influence became very
strong, and no doubt many Muranese or Altarists were employed.
Before the end of the seventeenth century, the general decline so
noticeable in all the industries of Spain spread, it would seem, to the
glass-works. Workmen were now obtained chiefly from the Low Countries,
and in addition much glass was imported by sea from Antwerp. To how low
a state the glass industry had fallen at this time may be inferred from
the fact that orders for ‘Mexico and the Indies’ had to be executed
abroad. In the next century, when Spain had lost her Flemish
possessions, their place as a source of glass-ware was taken by France.
Philip V., about the year 1720, founded a royal glass manufactory near
his summer palace of La Granja de S. Ildefonso, and workmen were
gathered together from all sources—there were Germans and Swedes as
well as Frenchmen. These works were above all established, in rivalry
to St. Gobain (p. 235), for the preparation of large mirrors of
plate-glass, but all sorts of ‘hollow ware’ were also produced there.
This later Spanish glass, made to royal order, is, however, utterly
devoid of any interest, and it need not detain us.
CHAPTER XVI
Public-domain text, read in full here on John Shaqi.
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