The above-mentioned Mr. John Houghton, who every week, in the
commercial paper edited by him, published an article on some technical
or scientific subject, in the spring of 1696 devoted a series of these
‘leaders’ to the subject of glass. After some general reflections on
the substance, when we are told, among other things, that
‘Vitrification is the last mutation of bodies of which Nature is
capable and from which there is no going back,’ in his issue of May 2
he takes up the main subject. ‘According to my information,’ he tells
us, ‘we are of late greatly improved in the art of _Glass-making_. For
I remember the time when the Duke of _Buckingham_ first encouraged
_glass-plates_, and _Mr. Ravenscroft_ first made _Flint-glass_.[250]
Since then we have mended our Window-glass and outdo all abroad. And
what e’er may be said against _Stock-Jobbery_, yet it has been the
Means to raise great Summs of Money to improve this Art.’ Again, on May
16 we are given a carefully classified list of ninety glass-houses
existing in England. Of these, twenty-four were in London, nine at
Bristol, seventeen at Stourbridge, and eleven at Newcastle. These
glass-houses he divides into those for looking-glass plates, for
bottles and for ‘_Flint, Green, and Ordinary_.’ Now the rational
inference from all this seems to me to be that Houghton, _who was in a
position to know_, knew nothing about lead-glass. The flint-glass
houses are classed together with the ‘green’ and ‘ordinary,’ and
flint-glass for him was glass made from flints.
So, as we have seen, Haudicquer de Blancourt, writing in France a few
years earlier, knew nothing of lead-glass other than that used for
objects of _verroterie_. It is at least evident that if our own
glass-makers had mastered the art before the end of the century, the
secret was well kept.[251]
But before proceeding further, it may be well to form some definite
idea of the composition of lead-glass and of the physical properties
that led to its replacing in great measure the soda-lime glass of
Venetian type. In the first place, as I have said, it is essential that
the alkali in this glass (in the manufacture of hollow ware, at least)
should be potash, and it was, perhaps, the fact that the lead was at
first used along with soda that so long delayed the production of a
‘metal’ suitable for the manufacture of blown-glass. Again, the potash
in the case of lead-glass must be something quite different from the
impure material employed for the old green glass; this crude alkali
contained, among other bases, a large percentage of lime. Saltpetre
appears to have been used in the first place, and then a more carefully
lixiviated form of vegetable ashes known as pearl-ash. The amount of
lead oxide may vary from 28 to 40 per cent., and the specific gravity
of the resultant glass from 2·8 to 3·6.
Public-domain text, read in full here on John Shaqi.
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