Since the drinking-glass forms so important a part in the history of
our native glass, perhaps it may be well to turn for a moment to
consider the process by which a vessel of this sort is made, the more
so as we are told by a high practical authority that in the manufacture
of a wine-glass every principle of glass-blowing is illustrated (H. J.
Powell, _Principles of Glass-making_, 1883). Wine-glasses, says Mr.
Powell, may have either a ‘straw shank or stem’ pulled out from the
substance of the bowl itself, or more often a ‘stuck shank’ made from a
separate piece of glass subsequently added to the bowl; again, the foot
may be either blown or cast.
I will take as an example a wine-glass with a ‘straw shank’ and a blown
foot. ‘The glass for the bowl is first gathered and blown to the
required shape. Upon the centre of the base of the bowl, which is still
attached to the blow-pipe, a small quantity of molten glass is
skilfully dropped from the end of a working rod [the pontil]. Part of
the added glass is formed into a small button by the grip of the spring
tool [procello], and the residue is pulled out into the stem. In the
meantime a smaller bulb has been blown and its extremity fixed to the
end of the stem from which the button has previously been removed. The
smaller bulb is severed in the midst and the cup-shaped remnant
adhering to the stem is reheated, opened by the insertion of one point
of the spring tool, and by rapid rotation thrown out into a disc or
foot by the agency of centrifugal force.’ The pontil is now attached to
the foot by means of a seal of molten glass, and the upper bulb (the
future bowl of the glass) ‘wetted off’ from the blowing-tube by the
application of a moistened iron. The glass, held by the pontil attached
to the foot, is completed by reheating the severed edges of what is now
the bowl, cutting them even with the shears and rounding them by a
second exposure to the fire. The now completed wine-glass is finally
separated from the pontil by a jerk and taken to the annealing oven. A
rough edge remaining where the pontil was attached is at the present
day invariably smoothed by grinding; not so, however, in the case of
the older glasses, and this is a point to be noted by the collector. In
Germany and Bohemia the rough edge of the bowl after shearing is ground
even on the wheel instead of being rounded off in the furnace, and
foreign-made glasses may be often distinguished by their more angular
rim.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account