Gleanings in Europe : $b Italy, vol. 1 of 2Cooper, James Fenimore
General
Gleanings in Europe : $b Italy, vol. 1 of 2
Cooper, James Fenimore
Cooper, James Fenimore, 1789-1851 -- Travel -- Italy; Italy -- Description and travel
[5] On a particular occasion the writer was invited to take a seat
_with the critics_, in the Park Theatre. As an interlude, two dancers
exhibited, one in front of a large gilded frame that had gauze in
it, and the other behind it; the aim being to produce the effect of
reflection. Both backs and both faces being exhibited at the same
time; the writer, in his capacity of critic, felt himself bound to
hiss; whereupon he was himself incontinently hissed down. What! tell
a New York corps of critics, that a man looking into a glass did not
see the back of his own head! The writer merited his castigation, and
seizes this occasion to admit how far he was behind the Manhattanese
philosophy.
LETTER XI.
Audience of leave with the Grand Duke.--Journey to
Leghorn.--Commercial Towns and Capital.--Warehouse for Statuary.--The
Port.--Voyage to Naples in a Genoese Felucca.--Elba.--A Mediterranean
Quarantine.--Porto Ferrajo.--Napoleon and his House.--A
Tarantula.--Island of Troas.--Cività Vecchia.--A lovely night scene
off the Campagna.--The Pontine Marshes.--Gulf of Gaeta.--Bay of
Naples.
The time for quitting Florence having arrived, I wrote to ask an
audience of leave of the royal family. The answer was favourable, the
grand duke naming the following morning at the Pitti, and the grand
duchess an hour a little later at the Poggio Imperiale, a palace just
without the walls, and in the immediate vicinity of St. Illario.
Ten was the hour at which I presented myself at the Pitti, in an
ordinary morning-dress, wearing shoes instead of boots. I was
shown into an ante-chamber, where I was desired to take a seat. A
servant soon after passed through the room with a salver, bearing a
chocolate-cup and a bit of toast, a proof that his imperial highness
had just been making a light breakfast. I was then told that the grand
duke would receive me.
The door opened on a large room, shaped like a parallelogram, which had
the appearance of a private library, or cabinet. There were tables,
books, maps, drawings, and all the appliances of work. The library of
the palace, however, is in another part of the edifice, and contains
many thousand volumes, among which are some that are very precious, and
their disposition is one of the most convenient, though not the most
imposing as to show, of any library I know.
The grand duke was standing alone at the upper end of a long table
that was covered by some drawings and plans of the _Maremme_, a part
of his territories in reclaiming which he is said to be just now
much occupied. As I entered, he advanced and gave me a very civil
reception. I paid my compliments, and made an offering of a book which
I had caused to be printed in Florence. This he accepted with great
politeness; and then he told me, in the simplest manner, that “his
wife” was so ill, she could not see me that morning. I had a book for
her imperial highness also, and he said it might be left at the Poggio
Imperiale.
Public-domain text, read in full here on John Shaqi.
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