Gleanings in Europe : $b Italy, vol. 2 of 2Cooper, James Fenimore
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Gleanings in Europe : $b Italy, vol. 2 of 2
Cooper, James Fenimore
Cooper, James Fenimore, 1789-1851 -- Travel -- Italy; Italy -- Description and travel
It is unfortunate that the Perseus should be so near the Apollo, for the
points of resemblance are sufficiently obvious. This latter statue
surpassed all my expectations, familiar as one becomes with it by
copies; and yet it is now conjectured that it is itself merely a copy! I
write with diffidence on so delicate a point; but such is the suspicion
that it is whispered so loud that any one may hear it. It is said it has
been ascertained that the marble is of Carrara, a circumstance that at
once destroys its Greek origin. If this be a copy, the original was
probably of bronze, and is now corroding somewhere in the earth, if,
indeed, it be not melted down. The polished roundness of this statue,
which shows a pretty even surface for want of muscles, may account for a
copy of so much beauty. The expression is principally in the attitude,
which might be imitated with mathematical accuracy; and though the most
pleasing, and, in some respects, the noblest statue known, I should
think it one of those the most easily reproduced by skilful artists. For
your comfort I will add, that the casts and copies of this statue that
are usually seen in America, bear some such resemblance to the original
as a military uniform made in a country village bears to the regulation
suit ordered by government and invented by a crack town-tailor. You get
the colour, facings and buttons, with such a cut and fit as Providence
may direct. The Dying Gladiator and the Faun are in the collection of
the Capitol. I think this distribution of the _chefs d’œuvre_
unfortunate.
Whatever may be the truth as respects the Apollo, one would find it
almost impossible to believe the Laocoon a copy; though I believe the
profane have whispered even this calumny. There are one or two good
copies of this work, but it struck me that no one could closely imitate
the surface. It is true, we have no original to compare it with, and may
fancy that perfect, which, strictly would prove to be otherwise; for men
are often deceived in the details, when there is great merit in the
principal features of a work. Certainly, I think the Laocoon the noblest
piece of statuary that the world possesses.
Public-domain text, read in full here on John Shaqi.
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