Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
Calantha imagined, and was repeatedly assured, that her husband neglected
her: the thought gave her pain: she contrasted his apparent coldness and
gravity with the kindness and flattery of others. Even Count Gondimar was
more anxious for her safety, and latterly she observed that he watched
her with increasing solicitude. At a masked ball, in particular, the
Italian Count followed her till she was half offended. “Why do you thus
persecute me as to the frivolity and vanity of my manner? Why do you
seem so infinitely more solicitous concerning me than my husband and my
relations?” she said, suddenly turning and looking earnestly at him. “What
is it to you with whom I may chance to converse? How is it possible that
you can see imperfections in me, when others tell me I am faultless and
delightful?” “And do you believe that the gay troop of flatterers who
now follow you,” said a mask, who was standing near the Count, “do you
believe that they feel any other sentiment for you than indifference?”
“Indifference!” repeated Calantha, “what can you mean? I am secure of
their affection; and I have found more friends in London since I first
arrived there, than I have made in the whole previous course of my life.”
“You are their jest and their derision,” said the same mask.—“Am I,” she
said, turning eagerly round to her partner, Lord Trelawny, “am I your
jest, and your derision?” “You are all that is amiable and adorable,”
he whispered. “Speak louder,” said Lady Avondale, “tell this Italian
Count, and his discourteous friend, what you think of me; or will they
wait to hear, what we all think of them.” Gondimar, offended, left her;
and she passed the night at the ball; but felt uneasy at what she had
said.
Monteagle house, at which the masquerade was given, was large and
magnificent. The folding doors opened into fine apartments, each decorated
with flowers, and filled with masks. Her young friends, Sophia and Lady
Dartford, in the first bloom and freshness of youth, attracted much
admiration. Their dress was alike, and while seeming simplicity was
its greatest charm, every fold, every turn was adapted to exhibit their
figure, and add to their natural grace. If vanity can give happiness to
the heart, how must theirs have exulted; for encomium and flattery was
the only language they heard.
Public-domain text, read in full here on John Shaqi.
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