Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
“I am astonished my dear Gondimar,” said Viviani one day, addressing
him, “at the description which you gave me of Lady Avondale. I have seen
her since we conversed together about her, more than once; and there is
not, I think, much trace left of that excessive timidity of manner—that
monastic rigidity in her opinions and conduct, of which you made mention
in one of your letters from Castle Delaval.” “I was wrong, utterly wrong,”
said Gondimar, “and you may now rank this model of purity, this paragon
of wives, this pupil of nature, whom I have so often praised to you,
on a level with the rest of her fellow mortals.” “Not on a level—not
on a level,” replied Viviani with gravity; “but falling as I fear, far
beneath it.”
The Count then repeated in a solemn tone the description of Rome which
Lucian has placed in the mouth of Nigrinus applying the enumeration of
vices, temptations and corruptions, attributed to the fairest capital of
the world, to London; and then asked of Gondimar, if it were possible
for one like Calantha to sojourn long amidst such scenes, without in
some measure acquiring the manners, if not falling into the errors to
which the eyes and ears were every hour accustomed? He spoke of her
with regret, as he thus pronounced her on the verge of ruin:—“a prey,”
he said indignantly, “for the spoiler—the weak and willing victim of
vanity.” “The courts of her father are overrun with petitioners and
mendicants,” said Gondimar: “her apartments are filled with flatterers
who feed upon her credulity: she is in love with ruin: it stalks about
in every possible shape, and in every shape, she hails it:—woe is it;
victim of prosperity, luxury and self indulgence.”
Public-domain text, read in full here on John Shaqi.
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