Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
The princess then spoke a little sentence—just enough to shew how much
she intended to protect Lady Avondale. She addressed herself, besides,
in many dialects, to an outlandish set of menials; appointing every
one in the room some trifling task, which was performed in a moment by
young and old, with surprising alacrity. Such is the force of fashion
and power, when skilfully applied. After this, she called Calantha: a
slight exordium followed then a wily pointed catechism; her Highness
nodding at intervals, and dropping short epigrammatic sentences, when
necessary, to such as were in attendance around her. “Is she acting?”
said Calantha, at length, in a whisper, addressing the sallow complexioned
Poet, who stood sneering and simpering behind her chair. “Is she acting,
or is this reality?” “It is the only reality you will ever find in the
Princess,” returned her friend. “She acts the Princess of Madagascar
from morning till night, and from night till morning. You may fall from
favour, but you are now at the height: no one ever advanced further—none
ever continued there long.”
“But why,” said Lady Avondale, “do the great Nabob, and all the other
Lords in waiting, with that black horde of savages”—“Reviewers, you mean,
and men of talents.” “Well, whatever they are, tell me quickly why they
wear collars, and chains around their necks at Barbary House?” “It is the
fashion,” replied the poet. “This fashion is unbecoming your race,” said
Lady Avondale: “I would die sooner than be thus enchained.” “The great
Nabob,” quoth Mr. Fremore, joining in the discourse, “is the best, the
kindest, the cleverest man I know; but, like some philosophers, he would
sacrifice much for a peaceable life. The Princess is fond of inflicting
these lesser tyrannies: she is so helplessly attached to these trifles—so
overweaningly fond of exerting her powers, it were a pity to thwart
her. For my own part, I could willingly bend to the yoke, provided the
duration were not eternal; for observe that the chains are well gilded;
that the tables are well stored; and those who bend the lowest are ever
the best received.” “And if I also bow my neck,” said Calantha, “will
she be grateful? May I depend upon her seeming kindness?” The Poet’s
naturally pale complexion turned to a bluish green at this enquiry.
Public-domain text, read in full here on John Shaqi.
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