Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
“Oh, God!” cried St. Clare indignantly; “have I lived to see my
country bleeding; and is there not one of her children firm by her
to the last?” “We are all united, all ready to stand, and die, for
our liberty,” replied her eager followers. “Lead on: the hour is at
hand. At the given signal, hundreds, nay, thousands, in every part of
the kingdom, shall rush at once to arms, and fight gallantly for the
rights of man. The blast of the horn shall echo through the mountains,
and, like the lava in torrents of fire, we will pour down upon the
tyrants who oppress us. Lead on, St. Clare: hearts of iron attend
you. One soul unites us—one spirit actuates our desires: from the
boundaries of the north, to the last southern point of the island,
all await the signal.” “Hear it kings and oppressors of the earth,”
said St. Clare: “hear it, and tremble on your thrones. It is the
voice of the people, the voice of children you have trampled upon,
and betrayed. What enemy is so deadly as an injured friend?”
Saying this, and rushing from the applause with which this meeting
concluded, she turned to the topmost heights of Inis Tara, and gazed
with melancholy upon the turrets of Belfont. Splendid was the setting
ray of the sun upon the western wave: calm was the scene before her:
and the evening breeze blew softly around. Then placing herself near
her harp, she struck for the last time its chords. Niel Carter and
Tyrone had followed her. Buchanan, and de Ruthven, Glenarvon’s cousin,
stood by her side. “Play again on thy harp the sweet sounds that are
dear to me. Sing the songs of other days,” he said. “Oh, look not
sad, St. Clare: I never will abandon thee.” “My name is branded with
infamy,” she cried: “dishonour and reproach assail me on every side.
Black are the portals of hell—black are the fiends that await to
seize my soul—but more black is the heart of iron that has betrayed
me. Yet I will sing the song of the wild harper. I will sing for you
the song of my own native land, of peace and joy, which never more
must be mine.”
“Hark! what shriek of agony is that?”—“I hear nothing.” “It was his
dying groan.——What means your altered brow, that hurried look?” It was
the sudden inspiration of despair. Her eye fixed itself on distant
space in wild alarm—her hair streamed—as in a low and hurried tone
she thus exclaimed, whilst gazing on the blue vault of heaven:
“Curs’d be the fiend’s detested art,
Impress’d upon this breaking heart.
Visions dark and dread I see.
Chill’d is the life-blood in my breast.
I cannot pause—I may not rest:
I gaze upon futurity.
“My span of life is past, and gone:
My breath is spent, my course is done.
Oh! sound my lyre, one last sad strain!
This hand shall wake thy chords no more.
Thy sweetest notes were breath’d in vain:
The spell that gave them power is o’er.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account