Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic MarvelsBuel, James W. (James William)
History
Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic Marvels
Buel, James W. (James William)
United States -- Pictorial works
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[Illustration: AGASSIZ COLUMN, YOSEMITE.]
[Illustration: THE PASSAGE-WAY AROUND CAPE HORN.]
The cliffs at Cape Horn, so beautifully represented on this page, are
over 2000 feet high, and so precipitous that, when work was commenced in
making a bed for the railroad tracks, men had to be lowered by ropes
from the top and held in position until, with picks and crowbars, they
could cut for themselves a footing in the rock walls. As the cars roll
round the jagged point they are on a level with the clouds, while below
for nearly 2000 feet appear the forests of pine trees, so reduced in
size by distance that they appear like ordinary whisk brooms.—Agassiz
Column is one of the prominent features of Yosemite scenery, and it is
splendidly reproduced in the fine photograph on this page.
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[Illustration: SNOW SHOVELERS CUTTING A BLOCKADE ON THE SIERRA NEVADAS.]
The road begins to descend rapidly after leaving Summit, but the most
wonderful scenery in all California is passed in the next 150 miles.
Donner’s Peak comes into view as the first suggestion of a dreadfully
tumultuous condition of nature, wrought by the great glaciers that in
the early centuries came grinding their way over the mountains. There is
Emigrant Gap, through which the first gold-seekers found their way into
the Golden Valley, and American Cañon, along the dizzy edge of which the
train runs at a free and almost reckless pace. The way is broken with
quarreling cascades, fast-dashing creeks and beautiful blue cañons, in
which an autumn haze perpetually lingers. Giant’s Gap, in the American
Cañon, is a vast rent in an opposing mountain, that looks like it might
have been torn out by the hand of the Thunder God to make a way for the
trolls. Chasm after chasm comes into view with grandeur and awfulness as
a background until presently the train runs out on a ledge that appears
to passengers inside the coaches to have no more substantial support
than a bank of clouds. We are away up high on the breast of a mountain
that shoots upward 2,000 feet perpendicularly, and looking out of the
car windows there is nothing but clouds bowling along on the same level,
and below forests of pine, stunted by distance, until the trees are no
bigger than whisk-brooms, and American River is a white thread not too
large to run through the eye of a darning-needle. This is Cape Horn,
where the ledge is so precipitous that in making the road-bed it was
necessary to lower the first workmen by means of ropes, which were held
fast at the summit while the suspended men plied their picks and crow-
bars until a footing was made.
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[Illustration: “FLOWER BEDS IN FRONT OF HOTEL DEL MONTE, MONTEREY.”]
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Public-domain text, read in full here on John Shaqi.
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