Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic MarvelsBuel, James W. (James William)
History
Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic Marvels
Buel, James W. (James William)
United States -- Pictorial works
TITANIA’S VEIL, LURAY CAVERNS, VIRGINIA.—The origin of the beautiful
scarfs and canopies that constitute a special feature of the
attractions of Luray Caverns, and which differ from all other
subterraneous formations yet discovered, is from carbonates
deposited by water trickling down a sloping and corrugated surface.
In one place there are sixteen of these alabaster scarfs hanging
side by side—three white and fine as crepe shawls; thirteen striated
like agate, with every shade of brown, and all perfectly
transparent. Down the edge of each a tiny rill glistens like silver,
the ever-flying shuttle that weaves this fairy fabric. When lighted
by electricity each drop of liquid and every rounded gem becomes a
flaming diamond, producing a scene of splendor that can be but
faintly imagined.
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[Illustration: COLOSSEUM FALLS, NEAR DINGMAN’S FERRY, PENNSYLVANIA.]
A Southern poet, who climbed the mountain in the spring of 1891, thus
describes the inspiring sight which greeted him when the day was dying:
“To witness a sunset from this peak is something long to be remembered.
Never shall I forget that evening in June, when in company with my
guide, we stood by the grave on the summit of Mount Mitchell, and looked
down on that scene of resplendent glory that lay before us; far in the
west the sun was slowly sinking in a bed of crimson and gold, the
horizon was lighted with a flushing radiance which was infinitely
sublime, while the whole landscape was aglow with splendor, every tint
and hue imaginable seemed to intermingle in that sea of color, and every
jutting crag, and dome, and pinnacle of sullen rock flamed as though a
thousand rainbows had fallen out of the sky and hung themselves there
like glorious banners; we stand enthralled at the scene before us, no
sound is heard, no note of bird breaks the awful stillness. We are in
the region of that eternal silence which wraps the summit of the
‘everlasting hills.’ A hush of dreamy repose broods over this lofty
peak, which still retains the last rays of the setting sun, while over
the world below twilight has fallen.
‘How fair this lone and lovely scene,
And yonder dropping fiery ball,
And eve’s sweet spirit, which steals unseen
With darkness over all!’”
But it is not only from its unsurpassed view that this great mountain is
interesting. Its vast sides are clothed with a forest of bewildering
beauty, crystal streams gush from its heights, and there is, altogether,
a fascination about this wild, unpeopled region that goes far to account
for the passion which caused Professor Mitchell to lose his life in
wandering through its wilderness.
Public-domain text, read in full here on John Shaqi.
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