Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic MarvelsBuel, James W. (James William)
History
Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic Marvels
Buel, James W. (James William)
United States -- Pictorial works
presenting, as they often do, human nature in its most grotesque aspect.
Horses are rarely used by negroes for draught purposes; mules more
frequently; but bulls, cows and yearling calves are the chief
dependence, and carts the popular style of conveyance with these happy-
go-lucky people. There is no need for haste, and the loads are never
large, hence a yoke of cattle are as handy as a span of horses, and
preferable because slow movement allows more sleep on the way. The sun
makes the tobacco grow, and the rain makes music on the cabin-roof; so
rain or shine the darkey’s heart is always light and the future is
hidden from him by a veil of present delight. Such sights teach the
value of content, even if they do offend ambition, and in them the
philosopher’s stone has its hiding-place.
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[Illustration:
AN OLD CABIN HOME IN GEORGIA.—The old log cabin is a familiar sight in
Georgia, as well as other parts of the South. Often it is vine-
wreathed, showing signs of great antiquity, with roof of clapboards,
upon which the rain patters like the long-roll beat of the snare
drum. Homely, battered by time, and affording few comforts, yet in
such cabins greatness has often had its birth, nor scorned such
humble nativity. How many men of high estate lie down in the drapery
of fine linen and, when night has folded the earth in her sable
arms, think of the old cabin home in Georgia; of the long-time ago;
of the bubbling spring in the hollow and the gourd that hung by it;
of the grape-vine swing, and the cows mooing in the pasture; of
father and mother, and the graves on the hillside. And there is a
sigh from the heart for these pleasures of a past that have departed
forever.
]
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[Illustration: DRUMMOND’S LAKE, IN GREAT DISMAL SWAMP, VIRGINIA.]
Public-domain text, read in full here on John Shaqi.
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