Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic MarvelsBuel, James W. (James William)
History
Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic Marvels
Buel, James W. (James William)
United States -- Pictorial works
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[Illustration: DEER PARK CASCADE, ANIMAS CAÑON.]
[Illustration: OURAY AND SILVERTON STAGE-ROAD.]
All over the central and western portion of Colorado we find a
succession of beautiful and magnificent scenery, mountains, waterfalls,
cañons, landscapes of surpassing loveliness, and everything to charm the
eye and please the most diversified taste. The region about Ouray is one
of the most picturesque in the entire State. The mines are among the
richest in Colorado; and the hot springs, added to its other
attractions, make this locality a famous resort. A good idea of the
grandeur of the scenery is conveyed in the photograph of the stage road
from Ouray to Silverton, which occurs on this page.
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[Illustration: LAKE BRENNAN, IN SOUTH PARK, NEAR PLATTE CAÑON.]
The trip southward from Pueblo possesses comparatively little interest
until Cuchara Junction is reached, where one branch of the Denver and
Rio Grande Railroad starts directly west, while the other continues
south to Trinidad, and there forms a junction with the Atchison, Topeka
and Santa Fe Railroad.
At Cuchara the scenery changes from waste plains to a tumultuary
landscape similar to sections which we have just described. The road
follows the valley of Cuchara for a distance of twenty miles, and then
begins a rapid ascent towards Veta Pass, which is, in some respects,
more wonderful than even Marshall Pass. In one place the grade is 216
feet to the mile, so steep that two locomotives are required to haul
even light trains, and so serpentine that to passengers the cars appear
to be moving in a circle. When the summit is reached, an altitude of
9,400 feet above sea level has been gained, and there is a panorama
presented that it seems almost sacrilegious to attempt to describe. Away
to the south rises up, like monsters plucking stars from the sky, the
Spanish Peaks, whose frosted heads are often hidden by clouds that
gather about them; towards the west, dim with distance, is seen the
commanding form of Sierra Blanca, whose crown is the very heavens; and
northward, La Veta Mountain, stupendous and sublime, stands like a
grizzly sentinel, surveying the lesser wonders of nature and protecting
them against the fierce storms that beat the bronzed breasts of the
Rockies. Muleshoe Curve, over which we made the approach up Dump
Mountain, is plainly visible, as are the numerous tracks that gridiron
the slopes, and the waterfalls that play hide and seek along the
mountain sides. Looking down we see the fast-receding banks and almost
perpendicular cliffs, and the giant bowlders that have been hurled from
the summit into the abyssmal depths a mile below, gathered into dams to
impede the flow of waters. The view towards the east is unbroken, and
there, spreading out like the lap of bounty, we watch the green prairie
Public-domain text, read in full here on John Shaqi.
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