"So much the better!" exclaimed Oswald eagerly. "That was why
throughout the whole business it was his property alone that was
sacrificed. You cannot imagine the harm done by this dabbling in
speculation. It undermines our whole social order. We are at best not
much else than romantic ruins. So long as the ruins can succeed in
inspiring the public with respect, just so long they may remain
standing. But let them once lose their prestige, and they will be
regarded as useless rubbish, and as such be cleared away as soon as
possible. What preserves us is a strict sense of honour, and a
contempt for ignoble methods of money getting. Pride without a
chivalric back-ground is but a shabby characteristic, and if ...."
Some one knocked at the door, and the waiter entering handed Oswald a
visiting-card.
"_Le comte_ Alfred de Capriani," read Oswald, "it must be for you," he
said contemptuously, without noticing the few words written under the
name, as he tossed the card to Pistasch.
"No," said the latter, "it is for you--look there--read,--'begs Count
Lodrin for a brief interview.'"
"Extraordinary presumption!" grumbled Oswald, and then, with a shrug,
he told the waiter to show the Conte in.
"You consent to receive him?" asked Pistasch.
"Good Heavens, yes!" replied Oswald, smiling, "he has just done me a
kindness, my dear Pistasch, and has come for his pay. There are people
who play the usurer with their kindnesses as well as with their money.
I will tell you the story by-and-by."
"Very well. Adieu, for the present; in half an hour I'll come and take
you to the theatre;--she's not bad,--Giuletta as _Gretchen_."
And Pistasch departed; a minute afterward Capriani entered the room.
CHAPTER IV.
There are two ways of manifesting haughtiness,--that of Count Pistasch,
and that of Oswald. If Pistasch had to receive an obnoxious visitor, he
kept his cigar in his mouth, and his hands in his pockets;--Oswald, on
the other hand, at such times observed the most marked and the most
frigid politeness.
He received Capriani with a slight inclination of the head, and the
conventional form of greeting, invited him to be seated, and took a
chair opposite, naturally supposing that the Conte, with business-like
promptitude, would immediately begin to speak of the purpose of his
visit;--but no!--the Conte remained mute, only rivetting his large eyes
upon the young man. Why should Oswald find those eyes so annoying? How
came it that he seemed to have seen them before in some familiar face?
There was nothing bad in them--on the contrary at that moment they
expressed only intense admiration, an expression, however, by no means
to Oswald's taste. There might be reasons why he should condescend to
discuss business-matters with Conte Capriani, but he thought it
entirely unnecessary to subject himself to the Conte's admiration. He
therefore broke the silence.
Public-domain text, read in full here on John Shaqi.
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