The mood in which Conte Capriani took his place beside Kilary in the
victoria that was to carry him to the place of meeting, was a very
strange one. Never had he felt such pride of victory; his thoughts
reverted to his first meeting with the beautiful Countess Lodrin at the
beginning of his career, when with his keen scent for all that was
lowest in human beings, he had divined her passionate nature, a nature
held in check with despotic resolution after the great disappointment
of her early life.
With calculating cunning he had plotted and schemed to get her into his
power. But when at last he thought he had quelled and broken her pride,
she suddenly reared her head more haughtily than ever, and thrust him
from her.--He had not believed such audacity possible!
And now the woman whom he had thought to tread beneath his feet stood
at so unattainable a height above him, that his treachery was of no
avail as a weapon against her. How his heart had been consumed by
futile rage! Only the day before yesterday she had dared to send him
word by Zoe Melkweyser that she did not remember him.
"But it is my turn now," he thought, "this duel has forced an
explanation between herself and Oswald,--she has had to humble
herself before her child!" A fiendish exultation thrilled him to his
very finger-tips. "At last they must bow before me," he said to
himself.--"Mother and son, the two haughtiest of the whole haughty
crowd!"
It never occurred to him that this explanation which he had forced so
relentlessly upon the mother and son could have results other than
those which he contemplated. Absolutely content, for the first time in
his life, he leaned back among the cushions slowly puffing forth big
clouds of smoke into the fresh morning air, as the carriage approached
the old monastery of St. Elizabeth.
It was a large building blackened by time, standing quite isolated at
about half a league from Tornow upon fallow land. Formerly a monastery,
afterwards a hospital, and then a poor-house, it was now one of those
melancholy ruins that only await the pickaxe of demolition. The walls
were dirty, the windows black, with half the panes broken and patched
up with paper.--Two grape-vines trailed over the grass where once had
been a garden, and a couple of knotty mulberry-trees grew close to the
ruinous walls.
Leaning against one of these walls stood an ancient black, wooden
crucifix; the nail that had held fast the right hand of The Crucified
had fallen out and the arm hung loose, lending to the rudely-carved
image a strange reality. It looked as if the Saviour in the death
struggle had torn away his bleeding hand from the cross to bless
mankind with it once more.
Beneath the figure of Christ was a tablet with an inscription, the gilt
letters of which, much faded by time, still glistened in the morning
sunlight.
Public-domain text, read in full here on John Shaqi.
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