Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
“Exact, sir. You couldn’t have it more exact, sir. If you follow those
directions you can’t mistake,” answers the porter glibly. The shilling
and the young gentleman’s whole appearance has impressed him.
“Well, good-morning, my man, and many thanks,” says Léonie, as she
begins to move her horse away. She is surprised when the next moment the
porter comes up alongside her.
“Beg pardon, sir, no offence, sir, but be you a friend of the duke?”
Léonie is perplexed, but she answers evasively, “What do you want to
know that for, my man?”
“Because,” answers the honest fellow with an eager look in his eyes,
“because, sir, I’ve been reading all about how the Government is
a-hunting of him and that great man Mr. Hector D’Estrange. Least they
say Mr. D’Estrange is a woman. I don’t know, and I don’t care. I don’t
see what it matters whether Mr. D’Estrange is a man or a woman, sir.
He’s the people’s friend, sir; he wants to help us poor folk. There is
no humbug about him, sir, and we love him for that, we do. If you know
them, can you tell me if they are safe, sir? Forgive a poor fellow
asking this, sir—but oh! I’d die for them, I would, sir!”
The blood rushes to Léonie’s face. What is it that brings it there?
Perhaps a vague, undefined feeling of shame that she should be bent on
an errand so degrading with the true words of the honest working man
ringing in her ears.
“Yes, they are safe,” she says hurriedly. “Here, take this, my man.”
She throws him another shilling, and as he stoops to pick it up, she
puts her horse into a quick trot, and widens the distance between
herself and her interlocutor. What does Léonie know of goodness,
gratitude, or any high and noble virtue? In that young, cold,
calculating heart of hers, what room is there for devotion or love? She
wonders, as she rides along, why that man’s words brought that flush to
her face, and what that strange feeling was that made her heart beat and
her pulse throb. She puts it down to a fear that her object and mission
might be recognised.
“I’m getting nervous, I believe,” she laughs to herself. “That will
never do. Mr. Trackem has always told me to be cool and self-possessed.
What a fool I was to let that man see he had flustered me! Léonie, you
are an idiot!”
She tightens her horse’s rein, and just touches him lightly with her
heels as she speaks, and the animal breaks into a canter. Nero gallops
happily by her side. The dog is enjoying his outing in the country. Two
miles at this pace is quickly got over, but Léonie draws rein as she
reaches the cross-roads. To the left stands a signboard, and “Aldershot”
is written on it.
“Fifty yards further on,” mutters the girl as she trots forward. The
porter’s directions are very exact; the wooden gate is before her.
Public-domain text, read in full here on John Shaqi.
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