Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
What are these trophies? Why, here and there a spar, a tossing barrel, a
broken oar. There is something floating, too, on the heaving swell with
which the waves are making merry, for they carry it to the sandy beach
and drag it back again, toss it still further inland, and smother it in
their spray.
It is a choice plaything; the salt sea waves are battling for it hard,
but the tide and the inland current say them nay, and the sandy beach
gives it a rugged welcome. There for a time it may rest.
It! But what may it be? A human body, surely?
Out in the bay the yacht _Eilean_ is coasting up and down. Eager eyes
are scanning the waste of water, and every sign of wreckage is minutely
observed. Ever and anon the voices of the men aloft shout down some new
discovery to the anxious watchers on the deck below. There is a look of
intense agony in the eyes of the young Duke of Ravensdale as he paces
that snow-white deck. His features are drawn and haggard, his cheeks are
deathly pale, and the lines of care have seared their mark indelibly
across his high and noble brow.
“Wreckage ahoy!” The men on the look out have spied another victim of
the gale which the inland current is drawing to Ardnamurchan’s shores.
What can it be? It looks like the back of a whale, or a huge porpoise
turning over in its course. What can it be?
The _Eilean_ steams towards it, and comes close up alongside it. No, it
is no whale. Only the remnant of a fishing smack, part of which appears
to have been bodily severed from the whole.
The sharp order to man the lifeboat cutter is given. In a few minutes it
is riding the heaving swell. All eyes are occupied with this new
discovery; even the look-out men have forgotten their duty aloft.
Suddenly, however, Flora Desmond’s voice rings out. She has been keeping
silent, faithful watch by Evie Ravensdale.
“What’s that?” she cries.
In a moment he is straining with an eager, hungry look those wild,
despairing eyes. She is pointing away to starboard, and he sees,
unmistakably sees, a human head and shoulders rising up and down on the
grey ocean’s surface. With a low cry he springs forward. Were it not for
Flora’s restraining clutch he would be overboard and swimming to meet
it.
“Wait, Evie!” she says imploringly. “The boat will fetch it in a moment.
Don’t go, Evie. Alas, it is not she!”
She has a clear sight has Flora Desmond. She has caught a glimpse of the
dead white face thrown back as it rises on the crest of the heaving
swell, and she knows that it is not the face of Gloria de Lara. But when
the lifeboat cutter retrieves the body, and it is hoisted on to the
deck, then indeed Flora cannot restrain a cry of horror as she
recognises in the set, rigid face, wide open, staring eyes, and close
clenched teeth the unmistakable features of the girl traitoress, the
female Judas, Léonie.
Public-domain text, read in full here on John Shaqi.
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