Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
Poor Maggie! She is weak, and ill, and suffering. For weeks she has
worked hard to support her brother, and watched by his bedside in her
spare hours. She has stinted herself of food to buy him little
delicacies. But of late, work has been hard to get, and during the last
week she has obtained but scant employment, barely sufficient to buy
bread with. At this moment food has not passed her lips for thirty-six
hours, and the last bite she had, was a few crusts soaked in water, the
remnants of some bread from the crumb of which she had made her brother
a little bread and milk. Poor Maggie! It is as well. He wants no bread
and milk now.
But she does not cry or sob when she knows it is all over. She merely
closes the dull, staring, lustreless eyes, smooths the worn coverlet
once more, joins his hands as if in prayer, and drawing a small crucifix
from her chest, kisses it, and places it between his thin white fingers.
Then she turns to Evie Ravensdale.
“He is dead, your Grace,” she says meekly; “it is God’s will. I will
never forget your kindness in forgiving him. Poor Eric! he was a good
lad if he had not been led astray. Can I fetch you a cab, your Grace?”
Her voice is quiet, almost matter-of-fact, and yet Maggie Fortescue is
alone in the world, hungry, tired, weary, and penniless.
“No, Maggie,” he says gently, “certainly not. I am going away now, but I
will send some one to help you. And when you have buried your poor
brother, you must come to this address and let me know. I have several
things to ask you, and you must let me help you to earn a comfortable
living.”
“God bless your Grace!” she answers in a low voice. Then, as Evie
Ravensdale turns to go, she holds out some silver to him, saying as she
does so:
“It’s the change, your Grace, out of what you gave me to get those
things for Eric.”
“Keep it, keep it, Maggie,” he says huskily; and then he turns and
leaves the poor scantily furnished room in which he has learned so much,
and in which he has established, absolutely and completely, the
innocence of the woman whose lost image is ever before his eyes.
[Illustration]
CHAPTER VI.
And while Eric Fortescue unburdens his soul of the heavy sin that has
stained it, and bears it, purified and triumphant, through the portals
of a new life, there is confusion and rage in the heart of Mr. Trackem
as he sits at his business table hastily examining papers and committing
them to the safe keeping of a large fire, which consumes each
consignment as it is thrown in.
Mr. Trackem’s usually confident and satisfied expression, has given
place to one of anxiety and fear. That he is disturbed is evident.
“Curse the fellow!” he keeps muttering to himself; and then a gleam of
baffled rage shoots from his cunning eyes.
There comes a knock at the door, a peculiar knock. He is evidently
acquainted with it, for he looks up eagerly and calls out, “Come in.”
Public-domain text, read in full here on John Shaqi.
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