Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
“For God’s sake,” he hears her saying, “let me see the duke. I must see
him. It is a matter of life and death. If you tell him it is for Mr.
D’Estrange he will see me, I know.”
“I have no orders from his Grace to admit you,” answers Repton
pompously, “and certainly cannot disturb his Grace at this hour. You
must write or call again to-morrow morning, and all I can do is to
report your wish to his Grace.”
He bangs the door to as he speaks, but the next moment steps sound
behind him, and Hector D’Estrange has seized the handle and pulled it
open. His face is very white, and there is terror in his eyes.
“Rita!” he calls out, “is that you, Rita? My God! what brings you here?”
“Mr. D’Estrange!” she bursts out with a low, glad cry. “Oh, are you
here? Thank God! thank God!”
She has rushed forward and seized him by the hand, and the duke, who has
followed close behind him, recognises in the youthful, fair-featured
girl the sad, haggard, careworn, starving creature whom but a few years
back he had rescued from prostitution and degradation. Yet in what a
terrible condition she seems. Her dress is torn and mudstained, her
shoes likewise, her fair, soft hair dishevelled and hanging about her
face and down her back, while her expression is that of one scared by a
terrible fear.
“Come quick, come quick!” she cries imploringly, “before it is too late.
Oh, Mr. D’Estrange! they have waylaid her, and carried her off. I saw
her bound, with her poor cut bleeding hands, and could not help her; but
I know where she is, and can guide you to the place, if you will only
come.”
“Rita,” exclaims Hector D’Estrange, in a voice the very calmness of
which fills her with awe, “come into the duke’s study for a minute, and
explain yourself. Follow me.”
He leads the way with Evie Ravensdale following, and she close behind
the duke. As for Repton, he is rigid with astonishment.
The three enter the study, and the door is closed. “Now, Rita,” queries
Hector excitedly, “explain.”
“I will,” she cries again. “It is your mother. She was out in her
favourite walk this evening about ten, and I was coming home rather late
from Windsor. I saw her attacked by two men in the spinny, bound hand
and foot, after having been knocked senseless. A carriage drove up, and
they put her into it. My first impulse was to rush to help her and shout
for assistance, but in a moment I reflected how useless that would be. I
determined to hang on to the carriage behind, and see where they took
her to. It was a terrible drive, but God helped me, and I succeeded,
though I’m about done. I saw the house they took her into. I know the
spot well; I can take you there straight now. But come, please come, or
it will be too late.”
There is a look of fury and hatred so intense in Hector D’Estrange’s
eyes, that the duke can hardly recognise him as the sweet,
gentle-featured friend whom he loves so dearly.
Public-domain text, read in full here on John Shaqi.
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