“My darling, may all go well with you to-night. It is foolish, I know, but there is a foreboding of evil next my heart which I cannot shake off, try as I may. Ah, Gloria! if aught should happen to you, my precious child, what would your mother do?” “Why, mother, what ails you, dearest? Evil happen to Gloria? What fancy is this? Of course I expect defeat; but that will not be evil; merely the beginning of a great end. “I do not allude to that, dear one, but to something quite different. Gloria, I had a terrible dream last night. I saw him close to me, the being that I loathe. He had you down, and stood above you with a naked sword raised threateningly. I rushed to save you, but ere I could avert his arm he had pointed it straight down at you, and pierced you to the heart.” “Tush, mother, a mere dream, that’s all. You must not dwell upon it. Dear mother, put it from your mind.” “Would to God that I could, Gloria! But it haunts me like a spectre, and will not pass away. However, my child, I must not damp your spirits with my fancies. Go now to your duties, from which I must not keep you, and mother will do her best to drive the dream away.” “That’s right, motherling. Do, for Gloria’s sake.” He kisses her tenderly and goes out, for he hears Evie Ravensdale’s step approaching. The two friends and colleagues meet just outside the door. “Let’s go to your room, Evie,” he says gently, “and let us have a chat before I go to work. Chats with you are a luxury now. We don’t find much time for them, do we? By-the-bye, I have just had a telegram from Flora Desmond: the regiments have reached the Hall of Liberty. She reports the last march of twenty-seven miles in eight and a half hours, with not one single fall out from the ranks. Yet they would have us believe that women are weak, feeble creatures, unable to endure fatigue. There is the lie direct.” They pass on into the duke’s study, a room full of pleasant memories for Hector D’Estrange. Many a happy hour has he spent here with the truest and best friend of his life, the one man whom he loves above all things, and, with the exception of Speranza, the only being to whom he is passionately attached. A big oil painting hangs above the fireplace. Two figures are represented on the canvas. One is a tall, dark-haired, dark-eyed man, with long silken moustache and aristocratic mien, the other of shorter and slighter build, with a face of exquisite beauty. The features are those of a very young man, the eyes are sapphire-blue, the glossy, close curling hair of a deep old-gold colour. It is easy to recognise the former as Evelyn, Duke of Ravensdale, the latter as Hector D’Estrange. The picture has been executed by the duke’s order, and represents the two friends first meeting—ever memorable for both.