Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
He is standing on the steps of Montragee House, clad in his White
Guard’s uniform. A long line of the White Regiment keep the road clear
to Westminster. The crowd is dense all round. Nothing but a sea of faces
can be seen, and the cheers of the people have grown into a hoarse,
continuous roar. Thousands and thousands of women are amongst that
crowd, women, with hearts full of love and devotion for their hero;
women who would account it a happiness to die for him at any hour; women
who are strong in their gratitude for what he has done, and is trying to
do for them. He has entered the carriage that stands in waiting in front
of the ducal mansion, and with Evie Ravensdale has taken his seat
therein. As it drives rapidly towards Westminster the mighty volume of
cheering is again and again renewed, a few hisses being here and there
noticeable.
How describe the scene within the House of Commons? To attempt to do so
would be but to court failure. The precincts are thronged until there is
no standing room. There is eager expectation on every face.
The roar of the crowd outside has penetrated the vast building, and
tells those within that he is approaching. A thrill runs through that
assembly of princes, peers, commoners, and ladies who are there to await
his coming, and then the silence of intense expectation falls on all
around.
He is entering now, and walks slowly forward to take his seat. He is
received with a burst of enthusiasm by his own colleagues and party, and
is watched with interest by every woman who looks down upon him from the
spacious galleries that at his instance have been erected for ladies, in
place of the wild beast cage originally considered by men as good enough
for the inferior sex. And now he has taken his seat while awaiting the
usual formalities, and the eyes of the House are upon him. It would be a
trying position for an old Parliamentary hand, one used to many years of
debate. Is it not just a shade so for Gloria de Lara, as she sits there
under the name of Hector D’Estrange preparing to do battle for her sex?
But she has risen now. The silence of death has fallen once more on the
House, for the clear, beautiful voice is speaking at last, and this is
what it says.
[Illustration]
CHAPTER II.
“Mr. Speaker, I make no apology to you, sir, or to honourable gentlemen
for the bill which I am about to introduce to the House. It is a bill
embodying a simple act of justice to woman, a tardy though complete
offer by man to repair the wrong which he has done her in the past. Now
the bill is simple enough, and contains no ambiguous clauses. It states
in terse, clear language what it is that we propose to bestow on woman,
the rights to which she is entitled, and the manner in which we suggest
that they should take effect.
Public-domain text, read in full here on John Shaqi.
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