Gloriana; or, the revolution of 1900Dixie, Florence, Lady
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Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
“I mean what I have said, Vivi,” answers Lady Manderton in a quiet, sad
voice. “Vivi, I can’t tell you how terribly I feel my past wasted life.
But it was not all my fault. I was brought up to nothing better, and
probably should never have realised it, if Hector D’Estrange had not
been born. Ah, Vivi! Gloria’s life has opened my eyes. I see now that if
woman had fair play, women in the position of you and I, Vivi, would
never throw away and waste our lives as we have done. But, thank God,
there is a chance of remedying it. At any rate, I’ll do my best. For
Gloria de Lara’s noble cause I would die willingly a thousand times.”
She has taken her friend’s hand as she speaks. “Good-bye, Vivi,” she
says gently.
But Vivi has risen and thrown her arms round Lady Manderton’s neck.
“Don’t, don’t, Dodo! You musn’t go! There are going to be terrible
doings; I can see that plainly. Oh, Dodo! please don’t go.”
There is just a slight curl of contempt upon the lips of Lady
Manderton’s handsome mouth as she kisses the weak, timid woman, whom all
these years she has been contented to call friend. Then she gently
undoes the tightly clasped hands of Vivi Trevor from around her neck,
and presses her firmly but kindly back into her seat. “I have no fear,
Vivi. There, now, don’t cry; you will hear of me soon, dear—God grant
better employed than I have been. There now, think of what I’ve said.
Good-bye.” The next moment she is gone, and Vivi Trevor is left alone.
For a time she sits like one in a dream, then she rises and walks to the
window. The crowd is still surging to and fro. All traffic is rendered
impossible save on foot. Mounted policemen and military patrol the
street, interfering as little as possible with the people, who, save for
the rougher element already mentioned, are orderly enough, albeit
excited and angry.
“What will happen?” mutters Vivi to herself. “What a strange sight!
Never realised before what a number of people London contains, and what
a strange-looking lot, too! Didn’t think there were such people in
existence.”
There is a knock at her boudoir door as she stands thus soliloquising to
herself.
“Come in,” she answers.
It is Marie, the French maid, and she is the bearer of a note.
“A letter for madame,” she says.
“Marie, what a fearful crowd!” exclaims her mistress. “What will happen?
Have you ever seen anything like it before?”
“Mais jamais, jamais de ma vie, madame,” answers the Frenchwoman
shuddering. “C’est terrible.”
“Marie, you can bring me my coffee and bread-and-butter now,” continues
Vivi, as she turns the note over in her hand and looks at it curiously.
It is from Mr. Trevor.
“Madame will have to take _café noir_ this morning,” remarks the maid
gloomily.
“_Café noir?_ You know I hate it, Marie.”
“Tant pis, madame,” replies the woman, with a shrug of the shoulders.
“But no milkman has called, and there is no milk in the house.”
“But we shall starve, Marie!” exclaims her mistress.
Public-domain text, read in full here on John Shaqi.
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