"I must see her!" she said, whisperingly--"I shall not offend her
memory. I have never done anything very wrong in my life,--if I had,
I should have reason to be afraid--or ashamed,--and then of course
wouldn't dare to look at her. I have often been silly and frivolous
and thoughtless,--but never spiteful or malicious, or really wicked.
I could meet my father if he were here, just as frankly as if I were
still a little girl,--and I think he would wish me to see his
Dearest now! His Dearest! He always called her that!"
With the breath coming and going quickly through her parted lips,
she stepped slowly and timidly up to that corner in the wall behind
the picture, where the fastenings of the spring pulley were
concealed, and fitted the key into the padlock which guarded it. The
light of the setting sun threw a flame of glory aslant through the
windows, and filled the gallery with a warm rush of living colour
and radiance; and as she removed the padlock, and came to the front
of the picture to pull the curtain-cord, she stood, unconsciously to
herself, in a pure halo of gold, which intensified the brown and
amber shades of her hair and the creamy folds of her gown, so that
she resembled 'an angel newly drest, save wings, for heaven,' such
as one may see delineated on the illuminated page of some antique
missal. Her hand trembled, as at the first touch on the pulley the
curtain began to move,--inch by inch it ascended, showing pale
glimmerings of white and rose,--still higher it moved, giving to the
light a woman's beautiful hand, so delicately painted as to seem
almost living. The hand held a letter, and plainly on the half
unfolded scroll could be read the words:
"Thine till death, ROBERT VANCOURT."
Public-domain text, read in full here on John Shaqi.
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