Her lips parted, and a pure note, crystal clear, and of such silvery
softness as to seem more supernatural than human, floated upward on
the silence. Maryllia caught her breath, and listened with a quickly
beating heart,--she knew that the voice of this child whom she had
rescued from a life of misery, was a world's marvel.
"Le douce printemps fait naitre,--
Autant d'amours que de fleurs;
Tremblez, tremblez, jeunes coeurs!
Des qu'il commence a paraitre
Il faut cesser les froideurs."
Here with a sudden brilliant roulade the singer ran up the scale to
the C in alt, and there paused with a trill as delicious and full as
the warble of a nightingale.
"Mais ce qu'il a de douceurs
Vous coutera cher peut-etre!
Tremblez, tremblez jeunes coeurs,
Le douce printemps fait naitre,
Autant d'amours que de fleurs!"
She ceased. The air, broken into delicate vibrations, carried the
lovely sounds rhythmically outward, onward and into unechoing
distance.
She turned and looked at Maryllia--then smiled.
"I see you are pleased,"--she said.
"Pleased! Cicely, I don't believe anyone was ever born into the
world to sing as you sing!"
Cicely looked quaintly meditative.
"Well, I don't know about that! You see there have been several
millions of folks born into the world, and there may have been just
one naturally created singer among them!" She laughed, and touched a
chord on the spinet. "The old French song exactly suits this old
French instrument. I see it is an ancient thing of Paris. Gigue says
I have improved--but he will never admit much, as you know. He has
forbidden me to touch the C in alt, and I did it just now. I cannot
help it sometimes--it comes so easy. But you must scold me, Maryllia
darling, when you hear me taking it,--I don't want to strain the
vocal cords, and I always forget I'm only fourteen; I feel--oh! ever
so much older!--ages old, in fact!" She sighed, and stretched her
arms up above her head. "What a perfect room this is to sing in!
What a perfect house!--and what a perfect angel you are to have me
with you!"
Her eyes filled with sudden tears of emotion, but she quickly
blinked them away.
"Et ce cher Roxmouth?" she queried, suddenly, glancing
appreciatively at the rippling gold-brown lights and shades of her
friend's hair, the delicate hues of her complexion, and the grace of
her form--"Has he been to see you in this idyllic retreat?"
Maryllia gave a slight gesture of wearied impatience.
"Certainly not! How can you ask such a question, Cicely! I left my
aunt on purpose to get rid of him once and for all. And he knows
it;--yet he has written to me every two days regularly since I came
here!"
"Helas!--ce cher Roxmouth!" murmured Cicely, with a languid gesture
imitative of the 'society manner' of Mrs. Fred Vancourt,--"Parfait
gentilhomme au bout des ongles!"
Maryllia laughed.
Public-domain text, read in full here on John Shaqi.
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